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It is the intention of this dissertation to investigate, as thoroughly as possible, the portrayal of the German as he appears in the prose works (drama and poetry have been excluded) of four of Russia's greatest nineteenth-century literary writers- I. A, Gončarov, I. S. Turgenev, F. M. Dostoevskij, and L. N. Tolstoj.
Dostoevskij --- German --- Gončarov --- Linguistik --- Literaturwissenschaft --- Novels --- Philologie --- Portrayal --- Russian --- Russland --- Schulz --- Sprachwissenschaft --- Tolstoj --- Turgenev
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In approaching F. M . Dostoevskij's novels with the express purpose of identifying and determining the function of literary portraiture, one is faced with an unexpected enormous gallery of literary portraits. These are verbal accounts or drawings in words, in which physical appearance and facial expression are described not only to evoke a visual image, but more specifically to discern the inner man. The vast amount of material that came to light in the pursuit of this study has necessitated a selection and omission of equally valid specimens, which would further substantiate that Dostoevskij was a close observer of the physical properties of his characters and that he employed them to delineate psychological and moral disposition.
19th Century novel --- characterization in Dostoyevsky --- Dostoevskij --- Dostoyevsky's concept of man --- Heier --- Literary --- literary portraiture --- Novels --- Portraits --- russian literature
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