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Vulnerability in Scandinavian Art and Culture

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ISBN: 9783030373825 Year: Pages: 324 DOI: 10.1007/978-3-030-37382-5 Language: English
Publisher: Springer Nature
Subject: Media and communication --- Arts in general --- Linguistics --- Languages and Literatures
Added to DOAB on : 2020-05-14 09:27:49
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In this open access book, seventeen scholars discuss how contemporary Scandinavian art and media have become important arenas to articulate and stage various forms of vulnerability in the Scandinavian welfare states. How do discourses of privilege and vulnerability coexist and interact in Scandinavia? How do the Scandinavian countries respond to vulnerability given increased migration? How is vulnerability distributed in terms of margin and centre, normality and deviance? And how can vulnerability be used to move audiences towards each other and accomplish change? We address these questions in an interdisciplinary study that brings examples from celebrated and provocative fiction and documentary films, TV-series, reality TV, art installations, design, literature, graphic art, radio podcasts and campaigns on social media.

Digital Peripheries

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Book Series: Springer Series in Media Industries ISBN: 9783030448509 Year: Pages: 302 DOI: 10.1007/978-3-030-44850-9 Language: English
Publisher: Springer Nature
Subject: Media and communication --- Sociology --- Political Science --- Law
Added to DOAB on : 2020-06-17 00:00:49
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This is an open access book. Media industry research and EU policymaking are predominantly tailored to large (and, in the latter case, Western) European markets. This open access book addresses the specific qualities of smaller media markets, highlighting their vulnerability to global digital competition and outlining survival strategies for them. New online distribution models and new trends in the consumption of audiovisual content are limited by, and pose new challenges for, existing audiovisual business models and their legal framework in the EU. The European Commission’s Digital Single Market (DSM) strategy, which was intended e.g. to remove obstacles to the cross-border distribution of audiovisual content, has triggered a heated debate on the transformation of the existing ecosystem for European screen industries. While most current discussions focus on the United States, Western Europe, and the multinational giants, this book approaches these industry trends and policy questions from the perspective of relatively small and peripheral (in terms of their population, language, cross-border cultural flows, and financial and/or symbolic capital) media markets.

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