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Spenserian Satire

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Book Series: The Manchester Spenser ISBN: 9780719088087 9781526125132 Year: Language: English
Publisher: Manchester University Press Grant: Knowledge Unlatched - 100058
Subject: Languages and Literatures
Added to DOAB on : 2017-03-31 11:02:58
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Scholars of Edmund Spenser have focused much more on his accomplishments in epic and pastoral than his work in satire. Scholars of early modern English satire almost never discuss Spenser. However, these critical gaps stem from later developments in the canon rather than any insignificance in Spenser's accomplishments and influence on satiric poetry. This book argues that the indirect form of satire developed by Spenser served during and after Spenser's lifetime as an important model for other poets who wished to convey satirical messages with some degree of safety. The book connects key Spenserian texts in The Shepheardes Calender and the Complaints volume with poems by a range of authors in the late sixteenth and early seventeenth centuries, including Joseph Hall, Thomas Nashe, Tailboys Dymoke, Thomas Middleton and George Wither, to advance the thesis that Spenser was seen by his contemporaries as highly relevant to satire in Elizabethan England.

Wallenstein: A Dramatic Poem

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Book Series: Open Book Classics ISSN: 2054-216X/2054-2178 ISBN: 9781783742653 9781783742639 Year: Volume: 1 Pages: 322 DOI: http://doi.org/10.11647/OBP.0101 Language: English
Publisher: Open Book Publishers
Subject: Languages and Literatures --- Performing Arts
Added to DOAB on : 2017-02-17 14:07:43
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By the time Frederich Schiller came to write the Wallenstein trilogy, his reputation as one of Germany’s leading playwrights was all but secured. Consisting of Wallenstein’s Camp, The Piccolomini and Wallenstein’s Death, this suite of plays appeared between 1798 and 1799, each production under the original direction of Schiller’s collaborator and mentor, Johann Wolfgang von Goethe. Across the three plays, which are now commonly performed and printed together, Schiller charts the thwarted rebellion of General Albrecht von Wallenstein. Based loosely on the events of the Thirty Years’ War, the trilogy provides a unique perspective on an army’s loyalty to their commander and the machinations and intrigues of international diplomacy, giving insight into the military hero who is placed on the threshold between these forces as they are increasingly pitted against one another.The Wallenstein trilogy, formally innovative and modern beyond its time, is a brilliant study of power, ambition and betrayal. In this new translation—the latest in a long line of distinguished English translations starting with Coleridge’s in Schiller’s lifetime—Flora Kimmich succeeds in rendering what is often a difficult source text into language that is at once accessible and enjoyable. Coupled with a complete and careful commentary and a glossary, both of which are targeted to undergraduates, it is accompanied by an authoritative introductory essay by Roger Paulin. Kimmich’s translation will be an invaluable resource for students of German, European literature and history, and military history, as well as to all readers approaching this important set of plays for the first time.

Architecture and the Novel under the Italian Fascist Regime

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ISBN: 9783030194284 Year: Pages: 229 DOI: 10.1007/978-3-030-19428-4 Language: English
Publisher: Springer
Subject: Social Sciences --- Languages and Literatures --- Architecture --- Arts in general
Added to DOAB on : 2020-02-05 11:21:09
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Architecture and the Novel under the Italian Fascist Regime discusses the relationship between the novel and architecture during the Fascist period in Italy (1922-1943). By looking at two profoundly diverse aesthetic phenomena within the context of the creation of a Fascist State art, Billiani and Pennacchietti argue that an effort of construction, or reconstruction, was the main driving force behind both projects: the advocated “revolution” of the novel form (realism) and that of architecture (rationalism). The book is divided into seven chapters, which in turn analyze the interconnections between the novel and architecture in theory and in practice. The first six chapters cover debates on State art, on the novel and on architecture, as well as their historical development and their unfolding in key journals of the period. The last chapter offers a detailed analysis of some important novels and buildings, which have in practice realized some of the key principles articulated in the theoretical disputes.

Contemporary Nordic Literature and Spatiality

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Book Series: Geocriticism and Spatial Literary Studies ISBN: 9783030233532 Year: Pages: 307 DOI: 10.1007/978-3-030-23353-2 Language: English
Publisher: Springer
Subject: Languages and Literatures
Added to DOAB on : 2020-02-05 11:21:18
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This open access collection offers a detailed mapping of recent Nordic literature and its different genres (fiction, poetry, and children’s literature) through the perspective of spatiality. Concentrating on contemporary Nordic literature, the book presents a distinctive view on the spatial turn and widens the understanding of Nordic literature outside of canonized authors. Examining literatures by Danish, Norwegian, Swedish, and Finnish authors, the chapters investigate a recurrent theme of social criticism and analyze this criticism against the welfare state and power hierarchies in spatial terms. The chapters explore various narrative worlds and spaces—from the urban to parks and forests, from textual spaces to spatial thematics, studying these spatial features in relation to the problems of late modernity.

Don Carlos Infante of Spain: A Dramatic Poem

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Book Series: Open Book Classics ISSN: 2054216X 20542178 ISBN: 9781783744466 9781783744480 Year: Volume: 9 Pages: 212 DOI: http://doi.org/10.11647/OBP.0134 Language: English
Publisher: Open Book Publishers
Subject: Languages and Literatures --- Performing Arts
Added to DOAB on : 2018-06-19 15:01:52
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Schiller’s Don Carlos, written ten years before his great Wallenstein trilogy, testifies to the young playwright’s growing power. First performed in 1787, it stands at the culmination of Schiller’s formative development as a dramatist and is the first play written in his characteristic iambic pentameter. Don Carlos plunges the audience into the dangerous political and personal struggles that rupture the court of the Spanish King Philip II in 1658. The autocratic king’s son Don Carlos is caught between his political ideals, fostered by his friendship with the charismatic Marquis Posa, and his doomed love for his stepmother Elisabeth of Valois. These twin passions set him against his father, the brooding and tormented Philip, and the terrible power of the Catholic Church, represented in the play by the indelible figure of the Grand Inquisitor. Schiller described Don Carlos as "a family portrait in a princely house." It interweaves political machinations with powerful personal relationships to create a complex and resonant tragedy. The conflict between absolutism and liberty appealed not only to audiences but also to other artists and gave rise to several operas, not least to Verdi’s great Don Carlos of 1867. The play, which the playwright never finished to his satisfaction, lives on nonetheless among his best-loved works and is translated here with flair and skill by Flora Kimmich. Like her translations of Schiller’s Wallenstein and his Fiesco’s Conspiracy at Genoa, this is a lively and accessible rendering of a classic text. As with all books in the Open Book Classics series, it is supported by an introduction and notes that will inform and enlighten both the student and the general reader.

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