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Elemental Disappearances

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ISBN: 9780998237558 Year: Pages: 164 DOI: 10.21983/P3.0157.1.00 Language: English
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-06-12 09:24:34
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The things sought after here are apparitional: they appear and disappear at will; they perfect the art of materialization and vanishing. Such is the nature of living dangerously, and with it the short duration of enchantment. This collection tracks provocative ideas, artifacts, and phenomena rising and fading across different territories of the contemporary world. Through a constellation of powerful thought-images, the authors uncover spaces of an ephemeral and fugitive nature in order to generate a fractal vision of our time and beyond. A former communist prison island in the Adriatic Sea, now abandoned and overgrown with wild plants; the stone garden of a deaf Iranian peasant who dances ecstatically among his geological formations; a Belgian sculptor who combines wax and flesh to depict human and animal forms in states of half-manifestation, incompletion (missing limbs), or branching (morphing into other organisms); a cultural movement in Brazil that takes the discarded debris of urban centers and transforms their splintered wood pieces into massive labyrinths and underground caverns; a blacksmith poet in Afghanistan who alternates between tasks of hammering metal and writing lyrical verses amidst the smoke-clouds of his forge; a Cuban writer whose delirious fixation with the sea compels him to invent a language of pure untimeliness. There are countless sites of disturbance within the postmodern landscape, and yet far too often these disruptive “scenes” remain untheorized and misaligned, treated as random deviations and thus afforded no surpassing consequence or philosophical complexity. Such micro-trajectories necessitate an archive and conceptual matrix that will steal them from their false obscurity and decipher them instead as the passcodes to an imminent global turn. For this, one must return to the amorphous outlook of “the marauder” or “the wanderer.” This book, then, aims to devise an ever-expanding configuration of radical outsides: elemental fronts that lead to unforeseen principles; alternative profiles of experience (intense becomings); incendiary, ominous, or vitalistic signs in circulation across the epochal horizon.

More&More: A Guide to a Harmonized System

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ISBN: 9780692622018 Year: Pages: 496 DOI: 10.21983/P3.0127.1.00 Language: English
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-06-12 09:24:37
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More&More is an art and research project that explores the language and mechanics of global trade, container shipping, and the exchange of goods. It questions a mercantile structure that by necessity disallows the presence of ocean as a real space in order to flatten the world into a Pangaea of capital. The project is presented in two volumes, released in conjunction with an exhibition of Marina Zurkow’s work (with collaborators Sarah Rothberg, Surya Mattu, and others) at bitforms gallery in New York City in February 2016. This book, More&More (A Guide to the Harmonized System), is an experimental “brick” of a book that intervenes in the Harmonized Commodity Description and Coding System (also known as the HS Code). The HS Code is the internationally accepted standard of product classification, which codifies the way nations conduct import/export. All legal trade products (and illegal ones that find loopholes) are shipped using this system. More&More (A Guide to the Harmonized System) lists the astonishing variety of items that are shipped around the world, and includes instructions for using the code to ship items (both legally and illegally). It also includes poetic, personal, and scholarly annotations by Stacy Alaimo, Heather Davis, Kathleen Forde, Dylan Gauthier, Elena Glasberg, Calliope Mathios, Steve Mentz, Astrida Neimanis, Chris Piuma, Elspeth Probyn, Sarah Rothberg, Phil Steinberg, Rita Wong, and Marina Zurkow. Its companion book, More&More (The Invisible Oceans), is a catalog of the exhibition, featuring many full-color images of the art on display (including video stills, bespoke bathing suits, and fungal sculptures), as well as an introduction by Marina Zurkow and a conversation between Zurkow and international curator Kathleen Forde.

More&More: The Invisible Oceans

Authors: --- --- ---
ISBN: 9780692622001 Year: Pages: 56 DOI: 10.21983/P3.0126.1.00 Language: English
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-06-12 09:24:37
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More&More is an art and research project that explores the language and mechanics of global trade, container shipping, and the exchange of goods. It questions a mercantile structure that by necessity disallows the presence of ocean as a real space in order to flatten the world into a Pangaea of capital. The project is presented in two volumes, released in conjunction with an exhibition of Marina Zurkow’s work (with collaborators Sarah Rothberg, Surya Mattu, and others) at bitforms gallery in New York City in February 2016. This book, More&More (The Invisible Oceans), is a catalog of the exhibition, featuring many full-color images of the art on display (including video stills, bespoke bathing suits, and fungal sculptures), as well as an introduction by Marina Zurkow and a conversation between Zurkow and international curator Kathleen Forde. Its companion book, More&More (A Guide to the Harmonized System), is an experimental “brick” of a book that intervenes in the Harmonized Commodity Description and Coding System (also known as the HS Code). The HS Code is the internationally accepted standard of product classification, which codifies the way nations conduct import/export. All legal trade products (and illegal ones that find loopholes) are shipped using this system. More&More (A Guide to the Harmonized System) lists the astonishing variety of items that are shipped around the world, and includes instructions for using the code to ship items (both legally and illegally). It also includes poetic, personal, and scholarly annotations by Stacy Alaimo, Heather Davis, Kathleen Forde, Dylan Gauthier, Elena Glasberg, Calliope Mathios, Steve Mentz, Astrida Neimanis, Chris Piuma, Elspeth Probyn, Sarah Rothberg, Phil Steinberg, Rita Wong, and Marina Zurkow.

History According to Cattle

Authors: ---
ISBN: 9789522644268 Year: Pages: 160 DOI: 10.21983/P3.0116.1.00 Language: English
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-06-12 09:24:38
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History According to Cattle is an expanded account of the acclaimed art and research project History of Other’s first major installment, The Museum of the History of Cattle (2013). The exhibition presents a large-scale ethnographic museum of world history as seen from the perspective of cattle, one of the most important companion species of humans. Thus, The Museum of the History of Cattle is the first museum to exhibit the cultural history of a non-human species. In the exhibit, the connections of animal rights issues with violations of human rights become visible while the situations of indigenous cattle populations, the development of genetics, and industrialization are imagined through the eyes of this silent, ever present companion. Both tragic and humorous, The Museum of the History of Cattle portrays humans as a species mesmerized by its own image. The book-catalog includes a full presentation of the research and visual material of the exhibition, with contextualizing essays by art historian Anne Aurasmaa, philosopher Elisa Aaltola, theorist Kirs Forkasiewizc, and researcher-curator Radhika Subramaniam. Drawing from critical animal studies, animal philosophy, art theory and the lived companionship of humans and cattle, the publication provides a fresh insight into the possibilities of creative imagination, and into the ethical encountering of the species-other in our society.

Bücher unter Verdacht - NS-Raub- und Beutegut an der SUB Göttingen

Authors: --- --- --- --- et al.
Book Series: Göttinger Bibliotheksschriften ISBN: 9783863950279 Year: Pages: 104 DOI: 10.17875/gup2011-441 Language: German
Publisher: Universitätsverlag Göttingen
Subject: Political Science --- Bibliography --- Languages and Literatures --- Arts in general
Added to DOAB on : 2012-04-11 21:20:13
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Bücher unter Verdacht - so lautete der Titel einer Ausstellung der Niedersächsischen Staats- und Universitätsbibliothek Göttingen, bei der Beispiele von NS-Raub- und Beutebüchern aus ihren Beständen präsentiert wurden. Der Ausstellungskatalog dokumentiert nicht nur alle gezeigten Objekte, sondern gibt in kurzen Einführungen auch Informationen zum historischen Hintergrund. Wohl fast alle wissenschaftlichen Bibliotheken haben während des Dritten Reiches Bücher in ihre Bestände aufgenommen, die aus beschlagnahmten Bibliotheken von Arbeitervereinen und anderen Organisationen stammten, die bei Razzien in Buchhandlungen und Verlagen von den Nationalsozialisten entwendet und an Bibliotheken weitergegeben wurden, die Privatpersonen unter Zwang abgeben mussten oder die während des Krieges in den besetzten Gebieten geraubt wurden. Viele weitere Beispiele ließen sich nennen. Der vorliegende Ausstellungskatalog gibt einen Einblick in die zeitgenössische Praxis einer Universitätsbibliothek beim Umgang mit NS-Raub- und Beutebüchern, wie sie heute genannt werden.

Image Photograph

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ISBN: 9780988234079 Year: Pages: 310 DOI: 10.21983/P3.0106.1.00 Language: English
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-06-12 09:24:38
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We no longer live in the society of the spectacle, passively seeing the world. Now we perform our very own spectacle in a society that demands it at every turn. We’ve become advertisements of ourselves, our own PR agents, continually putting on a performance and measuring it hour by hour. This is no longer the society of the spectacle but the society of performance. All events have become a pretense to create the image, to orchestrate an image of images that is us. We believe the image confers on us a kind of immortality: just as the artist believes her works collected by a major museum will do the same, we believe the network will forever host the archive we build everyday. The image that is us lives in the circulation of the network. Though a file, though virtual and malleable, made out of bits and instantly accessible to anyone who wants to find it around the world, this image that lives only lives on screen, as virtual as it might be, is a material fact. In its impression, its reception, its archivability, its remixability, the electronic image is today’s photograph

Gilly - Weinbrenner - Schinkel - Baukunst auf Papier zwischen Gotik und Klassizismus

Authors: ---
ISBN: 9783863952648 Year: DOI: 10.17875/gup2016-962 Language: German
Publisher: Universitätsverlag Göttingen
Subject: Arts in general
Added to DOAB on : 2016-06-21 11:01:21
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Fünf bedeutende Konvolute von Architekturzeichnungen und –reproduktionen aus den Beständen der Göttinger Universitätskunstsammlung und der Niedersächsischen Staats- und Universitätsbibliothek Göttingen werden in der Ausstellung „Gilly – Weinbrenner – Schinkel“ erstmals gemeinsam gezeigt. Eine besondere Entdeckung bieten dabei Friedrich Gillys Entwürfe für ein Theater in Stettin: Es sind die frühesten überhaupt bekannten, überdies brillant in Szene gesetzten Zeichnungen des früh verstorbenen Lehrers von Karl Friedrich Schinkel. Weitere Einblicke in die Architektenpraxis um 1800 vermittelt eine Mappe mit Zeichnungen für ein Theater in Königsberg, die vermutlich Carl Ferdinand Langhans nach Entwürfen Gillys angefertigt hat. Von der Mittelalter-Faszination dieser Zeit zeugt Friedrich Fricks ebenfalls nach Vorlagen Gillys gedruckte Aquatinta-Serie „Schloss Marienburg in Preußen“. Für einen pragmatischen, aber nicht minder bemerkenswerten Umgang mit mittelalterlicher Bausubstanz stehen Friedrich Weinbrenners Entwürfe für den Umbau der Göttinger Paulinerkirche zur Universitätsbibliothek. Und schließlich belegen Karl Friedrich Schinkels druckgraphisch reproduzierten Entwürfe für einen Königspalast auf der Akropolis in Athen, wie lange man im 19. Jahrhundert an einer schöpferischen Erneuerung des griechischen Altertums arbeitete. Die im Katalog erfassten Zeichnungen und Drucke laden dazu ein, Umbrüche und Leitmotive in der Architekturdarstellung um und nach 1800 nachzuvollziehen. Fünf einleitende Aufsätze eröffnen zusätzliche Forschungsperspektiven. So wird die Möglichkeit geboten, Motive, Funktionen und Wirkungsweisen von Baukunst auf Papier zwischen Klassizismus und Gotikrezeption anhand besonders attraktiver Werke zu verfolgen.

Preternatural

Authors: ---
ISBN: 9781105245022 Year: Pages: 38 DOI: 10.21983/P3.0001.1.00 Language: English
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-06-12 09:24:46
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The preternatural, as explored by these artists, disturb the ontological boundaries of art, nature and metaphysics. They exist within the folds of classificatory thresholds: both beyond and between nature and supernature; human and animal; vegetable and mineral; living and dead. The confusion between animate and inanimate is a primary concern, a surreality which unites with the preternatural’s love for reveling in the mysterious: bizarre fragments, unreadable words, objects of absurd scale, and distortions of the relativity of time and space flourish throughout this exhibition. Preternatural is the catalogue for a multi-site art exhibition (9 December 2011 through 17 February 2012, in Ottawa, Canada) that draws from the idea that art itself is a form of preternatural pursuit, in which the artists participating explore the bewildering condition of being in between the mundane and the marvelous in nature. It questions a world that understands itself as accessible, reachable, and ‘knowable’ and counters it with a consideration of this heterogenous proposition.

Flash + Cube (1965–1975)

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ISBN: 9780615624426 Year: Pages: 160 DOI: 10.21983/P3.0036.1.00 Language: English
Publisher: punctum books
Subject: Arts in general
Added to DOAB on : 2019-06-12 09:24:44
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Flash + Cube (1965-1975) is an artist’s book about the Sylvania flashcube — the space-aged, flash photography device, revolutionary in 1965 and nearly obsolete by 1975. Assembled from a wide range of archival materials — a “terrorist letter,” G.I. photographs from Vietnam, Sylvania flashcube advertisements, as well as Long’s photographs and photomontages—the book explores the links between light, war, history and photography. Apart from its circulation as a novelty item online, the flashcube is largely forgotten. The history of photographic flash is also often relegated to a footnote and is strikingly under-analyzed. Yet flash’s blinding effects and military genealogy, and the flashcube’s precise contemporaneity with the war in Vietnam make this a rich analytical object with which to reflect on the cultural, political and economic imperatives of its moment. As Long’s deft work with this archive shows, the flashcube is good to think with

Does War Belong in Museums?

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Book Series: Edition Museumsakademie Joanneum ISBN: 9783837623062 9783839423066 Year: DOI: 10.26530/oapen_627777 Language: English
Publisher: transcript Verlag Grant: Knowledge Unlatched - 100517
Subject: History
Added to DOAB on : 2017-04-21 11:01:48
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Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate – and what images would be desirable?

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