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Robert Neumann (1897–1957, Austrian exiled author and Vicepresidet of the PEN International, was even a disputatious antifascist political writer. His essays, his letters and biograpical documents give a vivid portrait of the diversity of literary life in Germay and Austria (before 1933/after 1958) and of exile in England (1933–1958).

Neumann Robert, left papers, exile writer, Austria-Great Britain, PEN Club --- Neumann Robert, Nachlass-Auswahl, Exilliteratur, Österreich-Großbritannien, PEN Club

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Ivan Bunin's high opinion of his narrative "Temnye allei" (Paris, 1946) was rarely shared. In the field of view of the readers was too often the erotic topic - the criticism affected an unbiased reception of the book, whose coherence was only occasionally perceived. Abridged editions reinforced this effect in the episode. The study considers the "Temnye allei" for the first time in the interaction of external conditions and artistic intention, taking into account all simultaneously created, partly unpublished tales. The focus is on determining the genre of the book on the basis of extra and intratextlichen links such as structure, style and the central themes of love, death and memory. While a glance at the eventful history of its origins allows conclusions to be drawn about the book's intended construction, the critical examination of the history of editions and receptions illuminates the most diverse problems of acceptance in the perception of the book as a short prose link - and as Bunin's masterpiece.

Love --- death --- memory --- Ablehnung --- Akzeptanz --- allei --- Bunins --- die Funktion der Schauplätze --- eine --- Exilliteratur --- Genrestudie --- Ivan --- Kurzprosaverknüpfung --- Liebe und Erotik --- Meisterwerk --- narrative --- Realismus --- Reese --- Rezeptionsgeschichte --- Temnye --- Zwielicht --- zwischen

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Über den Einsatz von Farb-, Licht- und Glanzwörtern bei anderen Dichtern der russischen Moderne wie z. B. Aleksandr Blok, Andrej Belyj oder Maksimilian Vološin liegen bereits Untersuchungen vor. Eine systematische Analyse dieser Wortschatzbereiche ist für das Werk Bunins erst ansatzweise erstellt worden. Worin besteht nun die Originalität der Prosa? Wo liegen Gemeinsamkeiten mit der Lyrik? Wie groß sind die Parallelen in der Entwicklung von Lyrik und Prosa? Die buninschen Färb-, Glanz- und Helligkeitswörter sollen (...) im folgenden als Instrumentarium zur Klärung dieser Frage dienen.

Ausdrucksmit --- Ausdrucksmittel --- Bunins --- dichterische --- Farbe --- Glanz --- Ivan --- Klöver --- Licht --- Lyrik --- russiche Exilliteratur --- russiche Lyrik --- sowjetische Literatur --- sowjetische Literaturkritik --- Verhältnisse zwischen Lyrik und Prosa