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Twenty-one distinguished American Germanists pay tribute to F. E. Coenen, previous longtime editor (1952-1968) of UNC Press' Studies in Germanic Languages and Literatures series. Their essays—reflecting a variety of approaches—deal with many major (Goethe, Kleist, Droste-Hülshoff, Keller, Nietsche, Rilke, Kafka, Hesse, Brecht, Thomas Mann, Musil) and some minor figures who have influenced the literary scene after 1800 and add significantly to both scholarship in and interpretation of modern German literature.

German Studies --- Literature

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Every handbook of medieval German literature has stressed the importance of love's ennobling power as a motif in the Minnesang, yet prior to this volume no study had attempted to assess its significance on the basis of its actual occurrence. In this volume Stephen Kaplowitt scrutinizes the entire lyric production of Minnesänger from Der von Kürenberg to Walther von der Vogelweide, identifying and analyzing every example of the motif. He concludes that, although the motif is widespread, its significance has been considerably exaggerated.

Poetry --- German Studies --- Literature

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This volume provides an evaluation of the ideological significance of the Arminius trope in patriotic German literature. Beginning with the German Humanists and ranging through the works of Hutten, Lohenstein, J. E. Schlegel, Klopstock, Kleist, Grabbe and others. Kuehnemund tracks how Arminius has been deployed as a symbol of the German nation by major intellectual movements and at key points in German history leading up to the Second World War.

German Studies --- Literature

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This study traces the importance of Italy as a source of literary inspiration in the work of the Swabian poet Wilhelm Waiblinger (1804-1830), who spent the last four years of his life, the most prolific of his career, living and traveling in Italy. Drawing on Waiblinger's poems, travel accounts, letters and diaries, Thompson compiles and analyzes Waiblinger's thoughts on and engagement with Italian art, literature, music, people and landscapes as well as the themes of antiquity, Renaissance, and Catholicism.

German Studies --- Literature

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This book consists of close readings of four poems illustrating Gottfried Benn's developing conception of stillness or stasis: "Trunkene Flut" (1927), "Wer allein ist—" (1936), "Statische Gedichte" (1944), and "Reisen" (1950). Mark Roche pays particular attention to the interrelation of form and content, and he uncovers previously overlooked allusions to thinkers such as Aristotle, Seneca, and Meister Eckhart. Benn's supposedly pure poetry of stasis is in reality an expression of opposition to nazi ideology, Roche argues, and should be viewed in the context of inner emigration. Nevertheless, Benn's opposition to nazism unwittingly rests on the same decisionistic foundation as the power positivism he deplores. Benn's well-intentioned critique of nazism is ultimately unsuccessful. The book concludes with a theoretical postscript that suggest ways in which intellectual history could be made productive for literary interpretation and provides arguments in favor of an "aesthetic" analysis attentive to both formal structures and philosophical coherence.

Poetry --- German Studies --- Literature