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Kulturraum Österreich

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ISBN: 9783205777205 Year: Pages: 632 Seiten DOI: 10.26530/oapen_437146 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - D 3945
Subject: Arts in general
Added to DOAB on : 2013-03-27 11:48:44
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While the first volume of the overalll work, which was published as "The historical Area of Austria" ("Geschichtsraum Österreich") in 2006, focused on the Hapsburgian "whole state" from the perspective of the most important phenomena and protagonists of the "Hapsburgian iconography", this second and concluding volume examines multifarious visualisations of the regional and supraregional historical myths of the 19th century in Vienna, the "centre", and in the regions, i.e. the Austrian Crownlands (part of which are identical with today´s federal provinces of the Republic of Austria). The difficult relationship between the "whole state" and the Crownlands constitutes the entire, extremely complex spectrum of reflections on Austrian 19th century history. Here, the kinds of methods and concrete goals with which regional memorial foundations interact or compete with dynastic strategies is a pivotal issue - on that has been examined only far too rarely in the past. Hence the present work intends to discuss both art-historical and historical phenomena with explore various historical reflections at the - frequently neglected - "periphery" and investigate visual approaches to one´s "own" history from the "present" of the 19th century (using prominent events such as the second Ottoman siege of 1683 and the "wars of liberation" against Napoleon as an example). The degrees of complexity, quantitative permeation and significant contrasts between Vienna - the "centre" - and the "provinces" in their different reflections on Austrian history clearly begin to emerge when we examine an extensive range of topics against the background of competing national, regional and communal strategies. Compared to the first volume "The historical Area of Austria", the perspective of the multifarious "historical area of Austria" shifts from the "whole state" to an analysis of a highly distinct "plurality of areas" (Karl Schlögel) with its own intrinsic laws. Such diversity is also an essential factor when we come to investigate the prolific amount of Austrian landscape art in the 19th century and the role it played in forging identity. It graphically demonstrates that a deeper understanding of Austria´s federal structures is not possible without gaining a comprehensive insight into 19th century history.

Geschichtsraum Österreich

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ISBN: 9783205775225 Year: Pages: 576 Seiten DOI: 10.26530/oapen_437150 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - D 3827
Subject: Arts in general
Added to DOAB on : 2013-03-27 11:48:48
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The history is intended as the first comprehensive examination of the role of Austrian history in the visual arts of the Habsburg monarchy between 1804 and 1918. At its centre are the following three key questions: What status did the general preoccupation with history acquire? What where the favorite historical subjects for artistic representation? What significance did the Habsburgs´own history (almost endlessly "extendible" all the way back to its fictitious mythical beginnings) hold for the issues of the day? Works of art contribute to the creation of traditions in a double sense: a given work simultaneously contains and creates history. A work of art is also a medium for social identification, facilitating communication between the monarch and the people. Investigating the characteristics of the different "reflections on history" in the visual arts in Austria in the 19th century led to the practical necessity of significantly widening the known material basis. It became apparent that previous research was based on a relatively limited range of works (primarily "high art") and failed to relate these works to literary documents from the fiields of historiography or belles-lettres. I believe it is only by expanding the basis in terms of both word and picture documentation that a reliable overview of the different strategies pursued by Habsburg iconography can be gained. Not only did my chosen methodology seem expedient, and indeed almost indispensable for an examination of concrete historical cases, it also reveals that this interlocking approach (furthermore justified by the nature of the material) based on interrelating picture and text media contains the very key to a proper investigation of the historical art of the 19th century. In approaching the central questions, this study begins with an introduction that looks at concepts and methodology and charts the difficult formation of the "Austrian nation" from "Casa d´Austria" to the Habsburg "nation state". The second chapter examines the relevance of the Austrian 18th century in the consciousness of the following century based on the examples of rulers Maria Theresia and Joseph II. This is folloewd almost of necessity by a long section on the ruler iconography of the period Emperor Franz II (I) to Emperor Franz Joseph I. The visual strategies of the Habsburg rulers in the 19th century and the inseparable question of the legitimation of the Austrian Empire in the years after 1848 steer attention back to the quest for "origins" and to the Habsburg "insurance policy" of evoking the figure of founding father Rudolf I. This forms the main focus of the fourth chapter. In this context, the various appeals to the famous progenitor assume the character of an "underpinning" myth (Jan Assmann). The final chapter attempts to provide answers to questions relating to the "flowering" of Austrian historiography in the 19th century relative to historical interpretations in painting. The complex genesis of the celebration of glorious Austrian deeds ist examined on the basis of the concrete example of "military iconography" and the decoration of the "hall of fame" in the "Arsenal" in Vienna.

The Nonconformists

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ISBN: 9789639776135 9786155211362 Year: Language: English
Publisher: Central European University Press
Subject: Anthropology
Added to DOAB on : 2015-05-19 15:18:48
License: OpenEdition licence for Books

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Serbia’s national movement of the 1980s and 1990s, the author suggests, was not the product of an ancient, immutable, and aggressive Serbian national identity; nor was it an artificial creation of powerful political actors looking to capitalize on its mobilizing power. Miller argues that cultural processes are too often ignored in favor of political ones; that Serbian intellectuals did work within a historical context, but that they were not slaves to the past. His subjects are Dobrica Ćosić ...

Das zusammengedrängte Gedenken

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ISBN: 9783990280751 Year: Pages: 312 Seiten DOI: 10.26530/oapen_605079 Language: German
Publisher: Verlag Bibliothek der Provinz GmbH Grant: Austrian Science Fund - PUB 89
Subject: Arts in general
Added to DOAB on : 2016-03-23 11:01:25
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In 1847, the Austrian painter Leopold Kupelwieser (1796-1862) was commissioned to execute a fresco cycle in the Ceremonial Hall of the Niederösterreichische Statthalterei (Lower Austrian Government Building, Vienna), depicting scenes from Austrian history. Iconographic aspects of each painting, using pictorial and literary sources as well as pointing out biographical connections and artistic forebears and influences, are being discussed. The complex interplay between art technology and conceptual statements manifests itself particularly articulate in the focal point of cartoon and fresco; accordingly, this study approaches Kupelwiesers work through the description of the materials he used and the way he processed them.

Historienmalerei

Authors: ---
Book Series: Geschichte der klassischen Bildgattungen in Quellentexten und Kommentaren, Bd. 1 ISBN: 9783496011385 Year: Volume: 1 Pages: 388 DOI: https://doi.org/10.11588/arthistoricum.445 Language: German; English; Spanish; Dutch; Italian, French;
Publisher: Reimer Verlag
Added to DOAB on : 2020-05-14 10:23:42
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[English version below]
Mit 43 Quellentexten von Leon Battista Alberti bis ins späte 19. Jahrhundert gibt der Band "Historienmalerei" einen umfassenden Überblick über die Theoriegeschichte dieser Gattung, welcher die führende Rolle in der Hierarchie der Bildaufgaben zugewiesen worden ist. Die Textsammlung bietet damit die Möglichkeit, bei der Deutung des einzelnen Kunstwerks und seiner historischen Stellung die kunsthistorische Debatten der unterschiedlichen Epochen zu berücksichtigen. Alle Quellentexte sind in der Originalsprache wiedergegeben sowie in deutscher Übersetzung. Die Analyse erfolgt dann in deutscher Sprache.

With 43 source texts, starting with Leon Battista Alberti and reaching out into the late 19th century, the volume "Historienmalerei" gives a comprehensive overview of the theoretical history of this genre, which has been assigned the leading role in the hierarchy of image tasks. The text collection thus offers the opportunity to take into account the art-historical debates of the different epochs when interpreting the individual artwork and its historical position. All source texts are presented in their original language and a german translation. Interpretations in German only.

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