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10 Weltbürger Perspectives and Samhandling (Book chapter)

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ISBN: 9788202535025 Year: Pages: 10 DOI: 10.23865/noasp.36.ch10 Language: English
Publisher: Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing)
Subject: Sociology --- Social Sciences
Added to DOAB on : 2019-01-15 13:34:09
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Abstract

"The chapter starts with a criticism of management and control concepts
that have been rooted in economic or psychological theories and models, although
society’s complexity and the pace of change will demand a broader and deeper foundation
for the development of effective management systems in the future. Other
voices need to be put forward. Immanuel Kant (1795/1991) argued for his idea of the
Weltbürger (“world citizen”), also known as “The Cosmopolitan Ideal”. His fundamental
philosophy is that all humans are welcome, regardless of time and place, and
that all humans are world citizens, regardless of nationality and cultural belonging
(Kant, 1795/1991). All people are co-citizens, independent of nationality and cultural
affiliation, and the Weltbürger is concerned with global problems and solutions.
Another central thinker is Jacques Derrida (1930–2004), a French philosopher and
writer particularly known for the term “Deconstruction”, which is about splitting up
words and phrases to find out what they really mean, in the light of the culture and
underlying attitudes. Human comprehension requires common words and phrases
(language), and a cultural and social context, both of which have formed the basis
for conceptual analysis of the terms “hospitality” and “threshold of tolerance”. The
conclusion is that the concepts of the Weltbürger and “hospitality” have important
values in and of themselves, and are ideas that are universal and timeless, providing
an important compass for samhandling."

Re-Reading Hanslick’s Aesthetics

Authors: --- ---
ISBN: 9783990125250 Year: Pages: 433 Seiten Language: German
Publisher: Hollitzer Grant: Austrian Science Fund - PUB 536
Added to DOAB on : 2019-05-07 11:21:02

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This study examines the reception of Eduard Hanslick in Anglo-american discourse from its earliest instances in the 19th century up to analytical philosophy of music. This book thus analyzes primarily the discoursive conditions of Hanslick’s reception, which developed distinctly as part of different academic disciplines (history of art, musicology, philosophy of music). Moreover, this study explores the function Hanslick’s argument attained in modern debates of New Musicology and Anglo-american aesthetics, which cast new light upon the interpretation of Hanslick’s stances on the relation between emotion and music.

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