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Sprache intermedial. Stimme und Schrift, Bild und Ton

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Book Series: Jahrbuch des Instituts für Deutsche Sprache ISSN: 0537-7900 ISBN: 9783110223613 Year: Volume: 2009 Pages: 506 DOI: 10.1515/9783110223613 Language: German
Publisher: De Gruyter
Subject: Media and communication --- Linguistics
Added to DOAB on : 2018-11-14 18:42:56

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In our modern society with its increasing differentiation in culture and media, language and speech are also confronted with new demands and contexts for their use. In the new media, text and image become increasingly closely interwoven, and what were traditionally thought to be firm boundaries between the material forms of language - between speech and writing - appear as increasingly fluid. The volume deals with the diversity of manifestations of our language and its intermedial relations with other forms of communication, including images, body language, sounds, and music.

Proust Cinématographe. Wie Raoul Ruiz Proust las

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ISBN: 9783946054467 9783946054474 9783946054610 Year: Pages: 330 DOI: 10.17885/heiup.310.420 Language: German
Publisher: Heidelberg University Publishing (heiUP)
Subject: Performing Arts --- Languages and Literatures --- Visual Arts
Added to DOAB on : 2018-08-06 14:28:32
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"Proust Cinematographe – Ruiz reading In Search of Lost Time" takes a new look at the metapoetic program of Proust’s A la Recherche du Temps perdu. Selected text passages and film excerpts are analyzed, focusing on the fundamental questions of the novel about the perception and description of time, subject, and identity. It turns out that the novel of the nineteenth century anticipated the concepts of modern cinema on a surprisingly broad scale.

The Power of the In-Between

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Book Series: Stockholm Studies in Culture and Aesthetics ISBN: 9789176350645 9789176350676 9789176350652 9789176350669 Year: Pages: 442 DOI: 10.16993/baq Language: English
Publisher: Stockholm University Press
Subject: Media and communication --- Social Sciences --- Science (General) --- Arts in general
Added to DOAB on : 2019-01-15 13:34:10
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"The Power of the In-Between: Intermediality as a Tool for Aesthetic Analysis and Critical Reflection gathers fourteen individual case studies where intermedial issues—issues concerning that which takes place in between media—are explored in relation to a range of different cultural objects and contexts, different methodological approaches, and different disciplinary perspectives. The cases investigate the intermediality of such manifold objects and phenomena as contemporary installation art, twentieth-century geography books, renaissance sculpture, media theory, and public architecture of the 1970s. They also bring together scholars from the disciplines of art history, comparative literature, theatre studies, musicology, and the history of ideas. Starting out from an inclusive understanding of intermediality as “relations between media conventionally perceived as different,” each author specifies and investigates “intermediality” in their own particular case; that is, each examines how it is inflected by particular objects, methods, and research questions. “Intermediality” thus serves both as a concept employed to cover an inclusive range of cultural objects, cultural contexts, methodological approaches, and so on, and as a concept to be modelled out by the particular cases it is brought to bear on. Rather than merely applying a predefined concept, the objectives are experimental. The authors explore the concept of intermediality as a malleable tool of research. This volume further makes a point of transgressing the divide between media history and semiotically and/or aesthetically oriented intermedial studies. The former concerns the specificity of media technologies and media interrelations in socially, politically, and epistemologically defined space and time, and the latter targets formal considerations of media objects and its various meaning-making elements. These two conventionally separated fields of research are integrated in order to produce a richer understanding of the analytical and historical, as well as the aesthetic and technological, conditions and possibilities of intermedial phenomena. "

Realist Cinema as World Cinema

Book Series: Film Culture in Transition ISBN: 9789048539215 Year: Pages: 301 DOI: 10.5117/9789462987517 Language: English
Publisher: Amsterdam University Press
Subject: Performing Arts
Added to DOAB on : 2020-10-14 00:03:45
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"Lúcia Nagib redefines realism not as a mere question of rhetoric or style, or a product of a certain age and place, but as a deep and steadfast commitment of filmmakers to an "ethics of the real" based on various forms of engagement with physical reality, which may include "passages" provided by the other arts. Her incisive theoretical arguments and finely nuanced close readings will change forever how we think of the unity of art and reality, or the role of intermediality in cinema". - Agnes Petho, Professor of Film Studies, Sapientia Hungarian University of Transylvania "With a rare combination of depth and range, Lúcia Nagib reframes the debate about realism in cinema by connecting it with a world cinema framework and looking at the work of directors as diverse as Abderrahmane Sissako, Edgar Reitz, Wim Wenders, Mizoguchi Kenji and Lucchino Visconti through the lens of the concept of intermediality. In this lucid and beautifully written tour de force of a book, Nagib offers fascinating new readings of classical works of cinema and extends an exciting invitation to film scholars and the broader public to think differently about possible new pathways to and through the history of film as an art form". - Vinzenz Hediger, Professor of Cinema Studies, Goethe Universität Frankfurt

Lenz-Bilder

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ISBN: 9783205783800 Year: Pages: 386 Seiten DOI: 10.26530/oapen_437142 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - D 4068
Subject: Arts in general
Added to DOAB on : 2013-03-27 11:48:41
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Since the beginning of reception, Büchner's epoch-making narrative Lenz was praised for its iconic quality, for the suggestive verbal mediacy of visual experience and the evocation of mental pictures. But so far research has paid no attention to the fact that this specific interrelation of language and image also strongly influenced the reception of the narrative in the fine arts. For the first time, this study analyses the complex relations between text and image in Lenz and its reception comprehensively, i.e. in consideration of the trias of literary communication: author, work and (artistic) reader. Firstly it is shown how the text-image-relations form the aesthetic fundament of the narrative as means of composition, but also as thematic, metareflexive element. Subsequently the different forms of imagery are analysed, which are generated in this way. The final part of the study presents illustrations based on Lenz and confronts them with the text. More than 700 pictures from 47 artists could be found, e.g. the expressive self-portraits of Walter Gramatté, Toyen's surrealistic compositions, the 'degenerative' etchings of Susanne Theumer or Thomas Kohl's landscape-representations.

Klänge in Bewegung

Authors: ---
Book Series: Tanzforschung ISBN: 9783839439913 Year: Pages: 234 DOI: 10.14361/9783839439913 Language: German
Publisher: transcript Verlag
Subject: Arts in general
Added to DOAB on : 2019-05-01 11:21:02
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What happens when body and sound meet? The contributions to this volume track sound movements and the sound of movement.

New Sounds, New Stories

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Book Series: LUP Dissertaties ISBN: 9789087280024 Year: Pages: 268 DOI: 10.24415/9789087280024 Language: English
Publisher: Leiden University Press
Subject: Music
Added to DOAB on : 2011-11-04 00:00:00
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When listeners talk about their listening experiences, they often refer to music as if it were a narrative. But can music actually tell a story? Can music be narrative? Traditionally, narrativity is associated with verbal and visual texts, and the mere possibility of musical narrativity is highly debated. In this study, Vincent Meelberg demonstrates that music can indeed be narrative, and that the study of musical narrativity can be very productive. Moreover, Meelberg even makes a stronger claim by contending that contemporary music, too, can be narrative. More specifically, Meelberg suggests considering contemporary musical narratives as metanarratives, i.e. narratives that tell the story of the process of narrativization.

The Fairy Tale and Its Uses in Contemporary New Media and Popular Culture

ISBN: 9783038423003 9783038423010 Year: Pages: X, 214 Language: English
Publisher: MDPI - Multidisciplinary Digital Publishing Institute
Added to DOAB on : 2016-12-30 12:46:14
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Ever since the beginning of the twenty-first century, the fairy tale has not only become a staple of the small and silver screen around the globe, it has also migrated into new media, overwhelming audiences with imaginative and spectacular retellings along the way. Indeed, modern fairy-tale adaptations, pervading contemporary popular culture, drastically subvert, shatter, and alter the public’s understanding of the classic fairy tale. Because of the phenomenally increasing proliferation of fairy-tale transformations in today’s “old” and “new” media, we must reflect upon the significance of the fairy tale for society and its social uses in a nuanced fashion. How, why, and for whom have fairy-tale narratives, characters, and motifs metamorphosed in recent decades? What significant intermedial and intertextual relationships exist nowadays in connection with the fairy tale? This Special Issue features eleven illuminating articles of thirteen scholars in the fields of folklore and fairy-tale studies, tackling these and other relevant questions.

Intermedialer Style

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Book Series: Kultur und soziale Praxis ISBN: 9783839433461 Year: Pages: 500 DOI: 10.14361/9783839433461 Language: German
Publisher: transcript Verlag Grant: Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung
Subject: Ethnology
Added to DOAB on : 2017-03-03 11:01:18
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This volume focuses on the form of literary writing that is emerging from the lifeworld of young people. The »style« which is becoming increasingly evident in this context is innovative, and sometimes even avant-garde.

Beyond Media Borders, Volume 1

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ISBN: 9783030496791 Year: Pages: 246 DOI: 10.1007/978-3-030-49679-1 Language: English
Publisher: Springer Nature
Subject: Media and communication --- Science (General)
Added to DOAB on : 2020-11-19 00:19:22
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This open access book promotes the idea that all media types are multimodal and that comparing media types, through an intermedial lens, necessarily involves analysing these multimodal traits. The collection includes a series of interconnected articles that illustrate and clarify how the concepts developed in Elleström’s influential article The Modalities of Media: A Model for Understanding Intermedial Relations (Palgrave Macmillan, 2010) can be used for methodical investigation and interpretation of media traits and media interrelations. The authors work with a wide range of old and new media types that are traditionally investigated through limited, media-specific concepts. The publication is a significant contribution to interdisciplinary research, advancing the frontiers of conceptual as well as practical understanding of media interrelations. This is the first of two volumes. It contains Elleström’s revised article and six other contributions focusing especially on media integration: how media products and media types are combined and merged in various ways.

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