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The Funambulist Pamphlets 10: Literature

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ISBN: 9780692226803 Year: Pages: 112 DOI: 10.21983/P3.0075.1.00 Language: English
Publisher: punctum books
Subject: Architecture
Added to DOAB on : 2019-06-12 09:24:41
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The Funambulist Pamphlets is a series of small books archiving articles published on The Funambulist, collected according to specific themes. These volumes propose a different articulation of texts than the usual chronological one. The eleven volumes are respectively dedicated to Spinoza, Foucault, Deleuze, Legal Theory, Occupy Wall Street, Palestine, Cruel Designs, Arakawa + Madeline Gins, Science Fiction, Literature, and Cinema. Volume 10 is devoted to the topic of Literature, with entries by Lambert and other authors. The idea that architecture can be created through narrative is popular in some academic circles. It seems a fruitful approach to the discipline as it unfolds an important imaginative field. It also envisions a resistance to forms of architectural teleology, since fiction is usually based on the disfunction of the environment in which it is set. For this reason, we could go as far as to affirm that fiction operates in contradiction to the traditional design method. The word “literature,” however, is not often pronounced by the people who seem to promote this creative method. The following texts intend to think of literature as a powerful field of ideas that translates to other creative disciplines. This translation should never be literal, and for this reason, some fictions that evoke architecture — Franz Kafka’s and Jorge Luis Borges’s labyrinths, for example — might be paradoxically more difficult to properly translate than less immediately spatial novels. The following texts do not propose any translation of their own but rather offer a humble toolbox in order to do so. This volume also constitutes an opportunity to archive the four texts written for the first event of Archipelagos (Brooklyn, November 2011), an non-institutionalized gathering of people conversing around a given topic. The first event was dedicated to literature and four architects were invited to talk about four authors they chose (Kerouac, Artaud, Dostoevsky and Pessoa) in the first half of the event, while the second half consisted of an open conversation generated by the presentations.

The Non-Library

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ISBN: 9780615945446 Year: Pages: 104 DOI: 10.21983/P3.0065.1.00 Language: English
Publisher: punctum books
Subject: Philosophy
Added to DOAB on : 2019-06-12 09:24:41
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The Non-Library is a non-standard expression for life that is lived without mediation from words, images, or even ideas. While a thing called “the Library” continues to terrorize humanity even as it enters its last stages as a consequence of cataclysmic climate change and late capitalism, the Non-Library is a strictly performative, ahistorical immanence that suspends the Library’s insistent calls to categorization, representation, and reification. Of course, to describe or circumscribe such ineffability has its limits, but it also has its thresholds to cross: with commentary on Derrida’s Archive Fever, a deconstruction of Fichte, a para-biographical meditation on librarianship, and a vamping on the possible “Non-Virgil,” The Non-Library gently proposes a negative capability in liminal spaces in order to best escape and resist the Library’s stranglehold on human knowledge and its requisite social imaginations. Building on the non-standard thought of Francois Laruelle’s non-philosophy, while not beholden to it, The Non-Library attempts to leave the discourse of the university behind and uses its citations of Badiou, Borges, Bataille, and Dante instead to construct a philo-fiction more akin to the immanence of music and its many expressions rather than Philosophy’s demand that all questions be eventually answered, that the Real is ultimately thinkable, or that all of Life might possibly be contained in the Library.

Tar for Mortar: "The Library of Babel" and the Dream of Totality

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ISBN: 9781947447509 9781947447516 Year: Pages: 106 DOI: 10.21983/P3.0196.1.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-06-12 09:24:31
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Tar for Mortar offers an in-depth exploration of one of literature’s greatest tricksters, Jorge Luis Borges. His short story “The Library of Babel” is a signature examplar of this playfulness, though not merely for the inverted world it imagines, where a library thought to contain all possible permutations of all letters and words and books is plumbed by pious librarians looking for divinely pre-fabricated truths. One must grapple as well with the irony of Borges’s narration, which undermines at every turn its narrator’s claims of the library’s universality, including the very possibility of exhausting meaning through combinatory processing. Borges directed readers to his non-fiction to discover the true author of the idea of the universal library. But his supposedly historical essays are notoriously riddled with false references and self-contradictions. Whether in truth or in fiction, Borges never reaches a stable conclusion about the atomic premises of the universal library — is it possible to find a character set capable of expressing all possible meaning, or do these letters, like his stories and essays, divide from themselves in a restless incompletion? While many readers of Borges see him as presaging our digital technologies, they often give too much credit to our inventions in doing so. Those who elide the necessary incompletion of the Library of Babel compare it to the Internet on the assumption that both are total archives of all possible thought and expression. Though Borges’s imaginings lend themselves to digital creativity (libraryofbabel.info is certainly evidence of this), they do so by showing the necessary incompleteness of every totalizing project, no matter how technologically refined. Ultimately, Basile nudges readers toward the idea that a fictional/imaginary exposition can hold a certain power over technology

Massa por Argamassa

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ISBN: 9781950192458 9781950192465 Year: DOI: 10.21983/P3.0264.1.00 Language: Portuguese
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-09-16 11:21:03
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"Mass by Mortar presents an in-depth exploration of one of the greatest illusionists in literature, Jorge Luis Borges. His tale" The Library of Babel "is an illustrious example of its playful ability, though not only because of the inverted world imagined in it in the past. which a library, which supposedly contains all possible combinations of all letters, words, and books, is searched by devout librarians for divinely prefabricated truths, for one also has to deal with the irony of Borges's narration, which constantly puts check the narrator's claims about the universality of the library, including the very possibility of exhausting the possible meanings through a combinatorial process.

The Anthology of Babel

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ISBN: 9781950192472 9781950192489 Year: Pages: 398 DOI: 10.21983/P3.0254.1.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2020-01-25 11:21:03
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Why should there only be literary scholarship about authors who actually lived, and texts which exist? Where are the articles on Enoch Campion, Linus Withold, Redondo Panza, Darshan Singh, or Heidi B. Morton? That none of these are real authors should be no impediment to interpreting their invented writings. In the first collection of its kind, The Anthology of Babel publishes academic articles by scholars on authors, books, and movements that are completely invented. Blurring the lines between scholarship and creative writing, The Anthology of Babel inaugurates a completely new literary genre perfectly attuned to the era we live in, a project evocative of Jorge-Louis Borges, Umberto Eco, and Italo Calvino.

La carte et la fable : Stevenson, modèle d’une nouvelle fiction latino-américaine (Bioy Casares, Borges, Cortázar)

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ISBN: 9791036200205 DOI: 10.4000/books.enseditions.9055 Language: French
Publisher: ENS Éditions
Subject: Languages and Literatures
Added to DOAB on : 2020-09-09 12:19:29
License: OpenEdition Licence for Books

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La reconnaissance internationale de la littérature latino-américaine au xxe siècle a souvent été interprétée par la critique comme le résultat de l’influence du modernisme, notamment du fait de la lecture, par les auteurs latino-américains, de James Joyce et de William Faulkner. Certains auteurs du continent, pourtant, suivent des stratégies différentes : Jorge Luis Borges, Adolfo Bioy Casares et Julio Cortázar utilisent les fondements de la littérature de genre (fantastique, policier, horreur, roman d’aventure) pour opérer une reconfiguration des équilibres entre le champ littéraire et les injonctions politiques, nationales et culturelles. Dans cette optique, le travail de Robert Louis Stevenson sur les publics populaires et le croisement des genres peut être vu comme une référence idéale, du fait de sa complexité et de son souci constant d’expérimentation. Cette étude a donc pour objectif de proposer une comparaison de ces stratégies, en utilisant les outils conceptuels et théoriques de la littérature mondiale. Stevenson, de cette manière, pourra apparaître comme un modèle herméneutique pour penser et résoudre certains dilemmes géographiques et littéraires.

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