Search results:
Found 5
Listing 1 - 5 of 5 |
Sort by
|
Choose an application
Love discourses, according to the basic thesis of the work, are figurative in Narbikova's texts as constituting the text. Their characteristic is the shift from (love) semantics to a specific (love) rhetoric. Love discourses in the textual presentation are no longer constituted through the traditional narration of love stories or stories about love, but through a practice of love-speech. As a result, language no longer functions as a means of description, but itself becomes the object of description and reflection. Examining this phenomenon in conjunction with the theme of love discourses is the main interest of the work.
Love discourses --- semantics --- rhetoric --- Die Liebesmodelle Tolstojs und Dostoevskijs --- Geschlechterverhältnisse --- Glossolalie --- Lange --- Liebe --- Liebesdiskurse --- Liebe-Sprechen --- Mutterschaftsimaginationen --- Narbikovas --- Prozessualität --- Sprache und Autorschaft --- Texten --- Valerija
Choose an application
Während die epischen Lieder bereits seit längerer Zeit Gegenstand intensiver wissenschaftlicher Forschung sind, fanden die lyrischen Lieder in letzter Zeit in stärkerem Maße Beachtung. Eine besondere Form dieser letzteren Volkslied-Liebeslyrik stellt die Sevdalinka dar, deren Hauptmotive Liebessehnsucht, -trennung und -enttäuschung, seltener Liebeserfüllung sind.
Eschker --- Figuren --- Hand --- Improvisation --- Kroatien --- Liebe --- Literaturwissenschaft --- Lyrik --- Serbien --- Sevdalinka --- sprachlichen --- Tradierung --- Untersuchungen
Choose an application
Vladimir Solov'ev gehört zu den bedeutendsten Erscheinungen des geistigen Rußlands. Sein Werk fällt in die letzten Jahrzehnte des neunzehnten Jahrhunderts, die Auswirkung dieses Werkes in das zwanzigste . . . Alle geistesgeschichtlichen Arbeiten Vladimir Solov'evs kämpfen mit Leidenschaft gegen den Rationalismus in der Philosophie und für die Rückführung der in sich geeinten und befriedeten Welt in den Schoß Gottes. So ist vor allen Dingen seine Kritik an dem westeuropäischen Denken zu verstehen, die so manches Gemeinsame mit der Gedankenwelt der Slavophilen hat.
Eine --- Fedor --- Kirche --- Klum --- Kunst --- Liebe --- Literaturwissenschaft --- Natur --- Philosophie --- Philosophie --- Religion --- religionsphilosophische --- Russland --- Solov --- Stepun --- Untersuchung --- Vladimir --- Vorr
Choose an application
Ivan Bunin's high opinion of his narrative "Temnye allei" (Paris, 1946) was rarely shared. In the field of view of the readers was too often the erotic topic - the criticism affected an unbiased reception of the book, whose coherence was only occasionally perceived. Abridged editions reinforced this effect in the episode. The study considers the "Temnye allei" for the first time in the interaction of external conditions and artistic intention, taking into account all simultaneously created, partly unpublished tales. The focus is on determining the genre of the book on the basis of extra and intratextlichen links such as structure, style and the central themes of love, death and memory. While a glance at the eventful history of its origins allows conclusions to be drawn about the book's intended construction, the critical examination of the history of editions and receptions illuminates the most diverse problems of acceptance in the perception of the book as a short prose link - and as Bunin's masterpiece.
Love --- death --- memory --- Ablehnung --- Akzeptanz --- allei --- Bunins --- die Funktion der Schauplätze --- eine --- Exilliteratur --- Genrestudie --- Ivan --- Kurzprosaverknüpfung --- Liebe und Erotik --- Meisterwerk --- narrative --- Realismus --- Reese --- Rezeptionsgeschichte --- Temnye --- Zwielicht --- zwischen
Choose an application
"Schiller’s play Kabale und Liebe, usually translated into English as Love and Intrigue, represents the disastrous consequences that follow when social constraint, youthful passion, and ruthless scheming collide in a narrow setting. Written between 1782 and 1784, the play bears the marks of life at the court of the despotic Duke of Württemberg, from which Schiller had just fled, and of a fraught liaison he entered shortly after his flight. It tells the tale of a love affair that crosses the boundaries of class, between a fiery and rebellious young nobleman and the beautiful and dutiful daughter of a musician. Their affair becomes entangled in the competing purposes of malign and not-so-malign figures present at an obscure and sordid princely court somewhere in Germany. It all leads to a climactic murder–suicide. Love and Intrigue, the third of Schiller’s canonical plays (after The Robbers and Fiesco’s Conspiracy at Genoa), belongs to the genre of domestic tragedy, with a small cast and an action indoors. It takes place as the highly conventional world of the late eighteenth century stands poised to erupt, and these tensions pervade its setting and emerge in its action. This lively play brims with comedy and tragedy expressed in a colorful, highly colloquial, sometimes scandalous prose well captured in Flora Kimmich’s skilled and informed translation. An authoritative essay by Roger Paulin introduces the reader to the play. As with all books in the Open Book Classics series, this translation is supported by an introduction and notes that situate an old text in its period and help both the student and the general reader read it with ease and with pleasure."
Friedrich Schiller --- play --- translation --- Kabale und Liebe --- social constraint --- youthful passion --- Duke of Württemberg --- love affair --- class --- Germany --- domestic tragedy --- Roger Paulin
Listing 1 - 5 of 5 |
Sort by
|