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Creep: A Life, A Theory, An Apology

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ISBN: 9781947447103 9781947447110 Year: Pages: 172 DOI: 10.21983/P3.0178.1.00 Language: English
Publisher: punctum books
Subject: Social Sciences
Added to DOAB on : 2019-06-12 09:24:33
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Creeps surround us, seemingly everywhere. People creep up on each other both on the streets and online, with digital technologies vectoring a lot of cyber-stalking. It’s so easy to spy on people that “creep catching” has even become a form of news entertainment in shows such as “To Catch a Predator.” But what defines a creep is so broad that nearly anyone can be a creep at times. Many of us wonder if we ourselves have been creepy, or if perhaps we engage in behavior that, if others knew, would easily earn us the title “creep.” Even Donald Trump, during the raucous 2016 campaign, was called a “creep” on several occasions by various news media. Indeed, for many of us, the specter of the creep is not just threatening, but exciting – exciting perhaps in the possibility of threat. Yes, we get creeped out. But we are also fascinated by creeps, perhaps in part because we all sense the potential inside ourselves for creepy behavior. In this provocative and engaging new book, Jonathan Alexander interweaves personal narrative and cultural analyses to explore what it means to be a creep. Calling this work a critical memoir, he draws on his own experiences growing up gay in the deep south, while also interrogating examples from literature and popular film and media, to approach the figure of the creep with some sympathy. Ranging widely over contemporary culture, especially the ever-creeping presence of nearly ubiquitous surveillance, Alexander confesses his own creepiness while also explaining to us what being creepy can show us in turn about our culture. He also resurrects some famous “creeps” from the past, such as J.R. Ackerley, to explore what makes a creep creepy, and how even the best of us succumb at times to being creeps. Ultimately, Alexander argues, a study of creepiness might offer us critical insight into the fundamental perversity of how we live. Creep: A Life, A Theory, an Apology is a timely meditation for our strange and creepy times.

The End of Man

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ISBN: 9780615766782 Year: Pages: 129 DOI: 10.21983/P3.0024.1.00 Language: English
Publisher: punctum books
Subject: Social Sciences
Added to DOAB on : 2019-06-12 09:24:45
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Masculinity? This book attempts to answer this one-word question by revisiting key philosophical concepts in the construction of masculinity, not in order to re-write or debunk them again, but in order to provide a radically new departure to what masculinity means today. This new departure focuses on an understanding of sexuality and gender that is neither structured in oppositional terms (masculine-feminine, male-female, man-woman) nor in performative terms (for which the opposition remains always secretly in play), but in a perpendicular relation akin to that which brings space and time together. In doing so, this book doesn’t aim to establish yet another theory within the field of masculism or men’s studies, but to put forward a personal account of how a revised understanding of the relationship between space, time, and gender can thoroughly alter concepts of masculinity.

Queer-Feminist Punk

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ISBN: 9783902902276 Year: Pages: 432 Seiten DOI: 10.26530/OAPEN_574668 Language: English
Publisher: Zaglossus Grant: Austrian Science Fund - PUB 241
Added to DOAB on : 2015-09-08 11:02:09
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This history makes use of anti-social theory to take a broad andmultifaceted look at queer-feminist punk—from its origins in the1980s to its contemporary influences on the Occupy movementand Pussy Riot activism.

Porno-Graphics and Porno-Tactics: Desire, Affect, and Representation in Pornography

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ISBN: 9780692720547 Year: Pages: 102 DOI: 10.21983/P3.0141.1.00 Language: English
Publisher: punctum books
Subject: Philosophy
Added to DOAB on : 2019-03-26 11:21:09
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Porno-Graphics and Porno-Tactics asks whether, and how, it is possible to re-appropriate pornography and think through it critically and creatively for a project of liberation. In the different contributions which make up this deliberately heterogeneous collection of short, non-canonical essays, such a quest proceeds by re-articulating the aporias of desire, intimacy, touch and seduction. It also relates them to claims of visibility, visions of emancipation and its failures, as well as to the politics of violence that we get exposed to through circulating images and affects. This is an attempt to exceed the limits set by and for ourselves in relation to how we connect to our own bodies, to the bodies of our lovers and to the bodies of the theories we live with, sleep with and dream about – in short, to all that we get attached to. The editors and contributors of this collection do not claim the euphoric potentiality of pornography as necessarily subversive and emancipatory, but are nevertheless open to the possibilities of re-shaping it (in textual, contextual, intertextual, but also affective and embodied forms) through different graphic and tactical/tactile inscriptions. On the one hand, authors reflect on definitions and practices of pornography as a genre adopting specific codes and canons, whether it is concerned with sex acts and the industry of porn or with other predominant forms of representation and the structures of power underlying them. On the other hand, chapters relate to the more affective, libidinal, synaesthetic and inter/subjective dimensions of pornography, and on the capacity of different reappropriations to subvert its limits.

Meaningful Flesh: Reflections on Religion and Nature for a Queer Planet

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ISBN: 9781947447325 9781947447332 Year: Pages: 152 DOI: 10.21983/P3.0194.1.00 Language: English
Publisher: punctum books
Subject: Social Sciences
Added to DOAB on : 2019-06-12 09:24:31
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Religion is much queerer than we ever imagined. Nature is as well. These are the two basic insights that have led to this volume: the authors included here hope to queerly go where no thinkers have gone before. The combination of queer theory and religion has been happening for at least 25 years. People such as John Boswell began to examine the history of religious traditions with a queer eye, and soon after we had the indecent theology of Marcella Althaus Ried. Jay Johnston, one of the authors in this issue, is among those who have used the queer eye to interrogate authority within Christian theological traditions. At the same time, there have been many queer interrogations of “nature,” perhaps most notably in the works of Joan Roughgarden and Ann Fausto-Sterling, and more recently in the works of Catriona Sandilands and Timothy Morton (an author in this volume). However, the intersections of religion, nature, and queer theory have been largely left untouched. With the exception of Dan Spencer, who writes the introduction for this volume and is one of the early pioneers in this realm of thought with his book Gay and Gaia (Pilgrim Press, 1996), and the work of Greta Gaard in developing a queer ecofeminist thought, religion and nature, or religion and ecology, have largely ignored the realm of queer theory. In part, the blinders to queer theory on the part of eco-thinkers (religious or otherwise) are similar to the blinders eco-thinkers have when it comes to postmodern thought in general: namely, if there are no absolute foundations, how does one create an environmental ethic and a “nature” to save? For this reason and many others, this volume on religion, nature, and queer theory is groundbreaking. Though these essays span many different disciplines and themes, they are all held together by the triple focus on religion, nature, and queer theory. Each of these essays offers a unique contribution to the intersection of religion, nature, and queer theory, and all of them challenge strict boundaries proposed in religious rhetoric and many discourses surrounding “nature.” Carol Wayne White’s essay draws from a queer reading of James Baldwin to develop an African American religious naturalism, which highlights humans as polyamorous bastards. Jacob Erickson’s essay examines Isabella Rossellini’s “Green Porno” and Martin Luther’s work to develop an irreverent theology. Jay Johnson draws from personal relationships with his late dog, and Master/Pup fetish-play, to blur the boundaries between humans and other animals, specifically within ethical and theological discourse. Whitney Bauman reflects on how the very processes of globalization and climate change queer our identities and call for a queer and versatile planetary ethic. Finally, Timothy Morton leads us through a reflection on queer green sex toys to challenge the ontology of agrologistics. Each of these essays in their own way is concerned with fleshing out more meaningful encounters with the planetary community. Without being too ambitious, we hope that these sets of essays will help to open up a new trajectory of conversations at the intersection of religion, nature, and queer theory.

Bathroom Songs: Eve Kosofsky Sedgwick as a Poet

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ISBN: 9781947447301 9781947447318 Year: Pages: 306 DOI: 10.21983/P3.0189.1.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-06-12 09:24:32
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Bathroom Songs: Eve Kosofsky Sedgwick as a Poet is the first book of essays to consider the poetry of one of the twentieth- and early twenty-first-century’s most important literary, affect, and queer theorists. Acclaimed as one of the “truly innovative” poets of her generation by Maud Ellmann, Sedgwick’s work as a poet is, perhaps, less well known, but is no less compelling than her ground-breaking trilogy of queer theoretical texts: Between Men: English Literature and Male Homosocial Desire, Epistemology of the Closet, and Tendencies.

Clinical Encounters in Sexuality: Psychoanalytic Practice and Queer Theory

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ISBN: 9780998531854 Year: Pages: 494 DOI: 10.21983/P3.0167.1.00 Language: English
Publisher: punctum books
Subject: Psychology
Added to DOAB on : 2019-06-12 09:24:34
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Clinical Encounters in Sexuality makes an intervention into the fields of clinical psychoanalysis and sexuality studies, in an effort to think about a range of issues relating to sexuality from a clinical psychoanalytic perspective. This book concentrates on a number of concepts, namely identity, desire, pleasure, perversion, ethics and discourse. The editors, Noreen Giffney and Eve Watson, have chosen queer theory, a sub-field of sexuality studies, as an interlocutor for the clinical contributors, because it is at the forefront of theoretical considerations of sexuality, as well as being both reliant upon and suspicious of psychoanalysis as a clinical practice and discourse. The book brings together a number of psychoanalytic schools of thought and clinical approaches, which are sometimes at odds with one another and thus tend not to engage in dialogue about divisive theoretical concepts and matters of clinical technique. Traditions represented here include: Freudian, Kleinian, Independent, Lacanian, Jungian, and Relational. The volume also stages, for the first time, a sustained clinical psychoanalytic engagement with queer theory. By virtue of its editorial design, this book aims to foster a self-reflective attitude in clinical readers about sexuality which historically has tended toward reification

Homotopia?: Gay Identity, Sameness & the Politics of Desire

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ISBN: 9780692606247 Year: Pages: 154 DOI: 10.21983/P3.0124.1.00 Language: English
Publisher: punctum books
Subject: Social Sciences
Added to DOAB on : 2019-06-12 09:24:37
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Do opposites attract? Is desire lack? These assumptions have become so much a part of the ways in which we conceive desire that they are rarely questioned. Yet, what do they say about how homosexuality — a desire for the same — is viewed in our culture? This book takes as its starting point the absence of a suitable theory of homosexual desire, a theory not predicated on such heterological assumptions. It is an investigation into how such assumptions acquired meaning within homosexual discourse, and as such is offered as an interruption within the hegemony of desire. As such, homosexual desire constitutes the biggest challenge to Western binaric thinking in that it dissolves the sacred distinctions between Same/Other, Desire/Identification, subject/object, male/female. Homotopia? (composed in 1997 but not published until now) investigates the development of a homosexual discourse at the end of the nineteenth century and the beginning of the twentieth century, and reveals how that discourse worked within heterosexualized models of desire. Andre Gide’s Corydon, Edward Carpenter’s The Intermediate Sex, and John Addington Symond’s A Problem in Modern Ethics are all pseudo-scientific texts written by non-medical men of letters, and were, in their time, highly influential on the emerging homosexual discourse. The fourth text, the twenty-odd pages of Marcel Proust’s novel A la recherché de temps perdu usually referred to as ‘La Race maudite,’ is the most problematic, in that it appeared under the guise of fiction. But Proust originally planned this ‘essay-within-a-novel’ to be published separately. In it, he offers a pseudo-scientific theory of male-male love. These four texts were published between the years 1891 and 1924, an historical moment when the concept of a distinct homosexual identity took shape within a medicalized discourse centered on essential identity traits and characteristics, and they all work within the rubric of science, contributing to a discourse which saw the human race divided into two distinct categories: heterosexuals and homosexuals. How did this division come about, and what were its effects? How was this discourse sustained, and how were the meanings it produced received? For men whose erotic interest was exclusively in other men, what did it mean to see oneself and one’s desires as the outcome of biology rather than moral lapse?

Queer Insists (for José Esteban Muñoz)

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ISBN: 9780692344736 Year: Pages: 76 DOI: 10.21983/P3.0082.1.00 Language: English
Publisher: punctum books
Subject: Social Sciences
Added to DOAB on : 2019-06-12 09:24:40
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Queer Insists is a memorial essay, a work of mourning, written for the queer theorist and performance scholar José Esteban Muñoz (1967-2013) shortly after his untimely death in December 2013. In a series of fragments, not unlike Roland Barthes’s Mourning Diary, Michael O’Rourke shares memories of Muñoz, the stories and reflections of his friends in the wake of his passing, and readings of his work from Disidentifications to Cruising Utopia and beyond. O’Rourke argues that, for Muñoz, queer does not exist, per se, but rather insists, soliciting us from the future to-come. Muñoz reached towards teleopoietic worlds as he invented a queer theory we have yet to find, but are invited to glimpse. Among the Muñozian themes this chapbook discusses are hope, utopia, affect, punk rock, heresy, the undercommons, temporality, hauntology, forgetting, loss, ephemera, partage, sense, incommensurability, the event and democracy. In reading Muñoz as a Rogue Theorist, this book borrows many of the gifts we have received (and have yet to receive) from him, marking the force and luminescence of his thought, and insisting upon the rare and precious singularity of his work. Muñoz bequeaths to us a queer studies without condition which it is our duty to foster and to bear as we carry it and him into the unknowable futures of an indiscipline

Crush

Authors: ---
ISBN: 9780615978956 Year: Pages: 120 DOI: 10.21983/P3.0063.1.00 Language: English
Publisher: punctum books
Subject: Social Sciences
Added to DOAB on : 2019-06-12 09:24:42
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In Crush, a stunning collection of erotic poems and queer meditations delineating Stockton’ and Gilson’s mutual crushing on each other, but also all of the ways in which, sweetly and also sadly, affection ameliorates the anguishes that, despite our deepest devotions, are never constant, Stockton and Gilson write, In Aranye Fradenburg’s words, Shakespeare’s sonnets describe “the love you feel for inappropriate objects: for someone thirty years older, thirty years younger. The kind of love that makes a fool, a pervert, a stalker out of you.” Let’s start here, for much of this description applies to Petrarchan conventions as well. Let’s start here, with this affective entrance into the poems and the impossibility of dispossessing the other’s voice in the manufacture of one’s own machine. Let’s start here, with a vision of poems as indexes of crushes rendered inappropriate, unhealthy by some gradation of difference and level of intensity. With the question of what distinguishes a crush from love if both turn you into a different self. Under oak trees and sunlight, in coffee shops and locker rooms, steam rooms and seminar rooms, and in conversation with Milton, Shakespeare, Frank O’Hara, Narcissus, Allen Ginsberg, Jacques Derrida, Aranye Fradenburg, Mary Magdalene, Freud, Oscar Wilde, José Esteban Muñoz, Eve Kosofsky Sedgwick, Elton John, and Prince, among other poets, harlots, saints, and scholars, Stockton and Gilson explore the ways in which friendship, desire, falling, swerving, possession, holding, faggoting, falling, longing, poeming, and crushing open the self to queerly utopic, if also difficult, deflections — other, more improbable modes of being, as Foucault might have said.

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