Search results: Found 4

Listing 1 - 4 of 4
Sort by
Der Berliner „jüdische Salon“ um 1800. Emanzipation in der Debatte

Author:
Book Series: Europäisch-jüdische Studien – Beiträge ISSN: 2192-9602 ISBN: 9783110271744 Year: Volume: 1 Pages: 609 DOI: 10.1515/9783110271744 Language: German
Publisher: De Gruyter
Subject: History --- Religion
Added to DOAB on : 2018-11-14 18:42:56
License:

Loading...
Export citation

Choose an application

Abstract

This volume, which draws on new sources, presents the Jewish salons of Berlin around 1800 as a lively and at the same time fragile network of communication. The salon society of 1794/95, the book`s year of focus, reveals a culture of sociality in which highly diverse venues could become ´salons` and it puts the salons` guests and hostesses (back) in the limelight. Selected profiles of the correspondence, which sometimes lasted for decades and has now been reconstructed, allow an examinationof possible interactions between salons and the contemporary discourse on emancipatory issues.

Le Nu moderne au salon (1799-1853) : Revue de presse

Author:
ISBN: 9782377471119 DOI: 10.4000/books.ugaeditions.8555 Language: French
Publisher: UGA Éditions
Subject: Arts in general
Added to DOAB on : 2019-12-06 13:15:53
License: OpenEdition Licence for Books

Loading...
Export citation

Choose an application

Abstract

L'ouvrage comporte articles et dessins de presse, pour la plupart inédits, qui constituent la réception des nus dits “modernes” exposés par les peintres et sculpteurs entre 1799 et 1853. L'homogénéité thématique privilégiée et la période considérée permettent une approche renouvelée des a priori concernant l'histoire de l'art du XIXe siècle. Les documents d'époque proposent ainsi une saisie au plus près des enjeux et débats critiques. On peut mesurer l'ampleur des scandales qui ont précédé celui d'Olympia, la progressive constitution d'un champ artistique où les expositions privées et payantes se développent, le déplacement des catégories liées au nu. L'anthologie est organisée de façon chronologique de 1799 à 1853 et privilégie les “salons des artistes vivants” successifs. Un discours d'escorte permet de mettre en situation les documents : par une présentation de chaque salon traité, par des encadrés bio-bibliographiques concernant les signataires des articles et dessins. La présence d'index (auteurs, artistes, œuvres) et d'une bibliographie raisonnée permettent également une lecture transversale des critiques d'art ainsi mises à disposition.

Keywords

presse --- dessin de nus --- salon --- art

Konversation und Geselligkeit

Author:
Book Series: Lettre ISBN: 9783839444290 Year: Pages: 198 DOI: 10.14361/9783839444290 Language: German
Publisher: transcript Verlag
Subject: Languages and Literatures
Added to DOAB on : 2019-01-15 13:34:00
License:

Loading...
Export citation

Choose an application

Abstract

Based on the field of experience of ideality and reality, Karin Schulz develops a history of behavior diagnostics concerning French parlor conversation.

Art Markets and Digital Histories

Authors: ---
ISBN: 9783039219704 9783039219711 Year: Pages: 156 DOI: 10.3390/books978-3-03921-971-1 Language: English
Publisher: MDPI - Multidisciplinary Digital Publishing Institute
Subject: History of arts --- Arts in general
Added to DOAB on : 2020-04-07 23:07:09
License:

Loading...
Export citation

Choose an application

Abstract

This Special Issue of Arts investigates the use of digital methods in the study of art markets and their histories. As historical and contemporary data is rapidly becoming more available, and digital technologies are becoming integral to research in the humanities and social sciences, we sought to bring together contributions that reflect on the different strategies that art market scholars employ to navigate and negotiate digital techniques and resources. The essays in this issue cover a wide range of topics and research questions. Taken together, the essays offer a reflection on what takes to research art markets, which includes addressing difficult topics such as the nature of the research questions and the data available to us, and the conceptual aspects of art markets, in order to define and operationalize variables and to interpret visual and statistical patterns for scholarship. In our view, this discussion is enriched when also taking into account how to use shared or interoperable ontologies and vocabularies to define concepts and relationships that facilitate the use and exchange of linked (open) data for cultural heritage and historical research.

Listing 1 - 4 of 4
Sort by