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Dommusikarchiv Salzburg (A-Sd). Thematischer Katalog der musikalischen Quellen, Reihe A

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ISBN: 9783990125090 Year: Pages: 985 Seiten Language: German
Publisher: Hollitzer Grant: Austrian Science Fund (FWF) - PUB 452
Added to DOAB on : 2019-01-15 13:34:16

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This is a catalogue of the musical sources of Salzburg Cathedral between ca. 1670 and 1841, that have survived in the holdings of the Dommusikarchiv at the Archiv der Erzdiözese Salzburg.

Voijslav Ilić. Leben und Werk

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Book Series: Slavistische Beitraege ISBN: 9783876900186 Year: Pages: 271 Language: German
Publisher: Peter Lang International Academic Publishing Group
Added to DOAB on : 2019-01-15 13:32:10
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Die eingehendere Interpretation des dichterischen Gesamtwerkes von Vojislav Ilić zum Zweck einer besseren Würdigung seiner Leistung und Bedeutung innerhalb der serbischen Literatur bedingt eine von verschiedenen Gesichtspunkten ausgehende Betrachtungsweise.

Musikalische Repertoires in Zentraleuropa (1420-1450)

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ISBN: 9783205795629 Year: Pages: 422 Seiten DOI: 10.26530/OAPEN_512255 Language: English|German
Publisher: Böhlau Grant: Austrian Science Fund - PUB 160
Added to DOAB on : 2014-12-04 09:02:39
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With famous music manuscripts such as the St Emmeram codex or the Trent codices and the rise of a musical elite with singer-composers around Dufay and Binchois, the years around 1430 belong to a crucial period in late-medieval music history. The present volume comprises 13 case studies on polyphonic as well as monophonic repertories with a particular focus on the city of Vienna. For the first time, the ‘simultaneity’ of ‘non-simultaneous’ phenomena is scrutinized for Central Europe and for the cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy.Due to its specific urban profile and the geographical position, late-medieval Vienna offers an excellent starting point for the study of musical repertories in Central Europe and their appropriation as cultural practice in the first half of the fifteenth century. The ‘simultaneity’ of ‘non-simultaneous’ phenomena is closely connected to the coexistence of different patterns of music patronage within court and nobility, the university, a variety of ecclesiastical institutions (among them the collegiate church of All Saints, later St Stephen’s Cathedral), and diverse strands of upper- and middle-class citizens on the one hand, cultural exchange with neighbouring territories of the Holy Roman Empire, of England, Bohemia and Northern Italy on the other. Manifold strands of polyphonic and monophonic repertories (both sacred and profane), compositional techniques, regionally bound stylistic peculiarities, strategems of music patronage, institutional (or even personal) collectionism, furthermore aspects of music iconography and the role of music within the history of ideas are scrutinized in thirteen chapters, which are conceived as case-studies, plus a detailed thematical introduction. In sum, this is an invaluable contribution to a better understanding of a crucial period of late-medieval music history.

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