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This study is dedicated to the notion of the tragic in European dance theatre, the evocation of which takes place in a field of tension constituted by staging techniques as well as by conceptions, procedures and moments of interruption, of suspension, of disturbance and of an indeterminability effected by ec-static corporeality. It is possible to recognise in the event-generating structure and function of the tragic formal principles and an aesthetics of effect coupled to new constellations of the fictional and the choric, absence and presence. From the perspective of dance studies, the tragic emerges from the representation by means of the moving and moved body of a gruesome monstrosity at the limits of what is imaginable; but how exactly does the mise-en-scène of the ambivalent, ambiguous and paradoxical through figures and figurations of pathos function to make the tragic appear?

Tragic, Staging, Pathos, Effect, Tanztheater, Figur, chorische Formationen --- Tragisch, Inszenierung, Pathos, Affektdarstellungen, Tanztheater, Figur, chorische Formationen

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Through the paths of three resorts, this book examines how the areas af-fected by tourism and mobility change, and questions the notion of territorial value. The development of territories is understood through their mobility: the mobility not only of people but also of knowledge and information, as well as markets. Today, in a "hypermobile" world, places must be connect-ed. These networks lead to a standardization of territories. However, to at-tract tourists, media attention, and investors, territories must stand out! It is this process of staging and construction of value that this book presents.

alpes --- tourisme --- territorial value --- switzerland --- développement régional --- territorial staging --- regional development --- economie territoriale --- economic sociology --- heritage --- mobility --- territorial economics --- valeur territoriale --- mobilités --- mise en scène territoriale --- tourism --- sociologie économique --- suisse --- patrimoine

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The audio plays of broadcasting history discussed in this book explore opportunities between (particularly technical) dispositive and radio-phonetic forms of performance and staging.

Radio Play --- Broadcast --- Media --- Culture --- Intermediality --- Intervention --- Media Dispostiv --- Form of Presentation --- Staging --- Aesthetics of Disturbance --- Production Technology --- Media Aesthetics --- Analogue Media --- Media History --- Media Studies --- Hörspiel --- Radio --- Medien --- Kultur --- Intermedialität --- Intervention --- Mediendispositiv --- Darstellungsform --- Inszenierung --- Ästhetik der Störung --- Produktionstechnik --- Medienästhetik --- Analoge Medien --- Mediengeschichte --- Medienwissenschaft