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Culture and Money in the Nineteenth Century

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ISBN: 9780821421963 9780821445471 Year: Language: English
Publisher: Ohio University Press Grant: Knowledge Unlatched - 102793
Added to DOAB on : 2019-04-11 11:21:07
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Since the 1980s, scholars have made the case for examining 19th-century culture, particularly literary output, through the lens of economics. Bivona and Tromp have collected contributions that push New Economic Criticism in new directions. Spanning the Americas, India, England, and Scotland, this volume adopts a global view of the cultural effects of economics and exchange. Contributors use the concept of abstraction to show how economic thought and concerns around money permeated all aspects of 19th-century culture, from the language of wills to arguments around the social purpose of art. The characteristics of investment and speculation; the symbolic and practical meanings of paper money to the Victorians; the shifting value of goods, services, and ideas; the evolving legal conceptualizations of artistic ownership are all essential to understanding nineteenth-century culture in Britain and beyond.

Drawing on the Victorians

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ISBN: 9780821422472 9780821445877 Year: Language: English
Publisher: Ohio University Press Grant: Knowledge Unlatched - 102795
Added to DOAB on : 2019-04-11 11:21:07
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Late 19th-century Britain experienced an explosion of visual print culture and a simultaneous rise in literacy across social classes. New printing technologies facilitated quick and cheap dissemination of images—illustrated books, periodicals, cartoons, comics, and ephemera—to a mass readership. This Victorian visual turn prefigured the present-day impact of the Internet on how images are produced and shared, both driving and reflecting the visual culture of its time. From this starting point, Drawing on the Victorians explores the relationship between Victorian graphic texts and today’s steampunk, manga, and other neo-Victorian genres that emulate and reinterpret their predecessors. Neo-Victorianism is a flourishing worldwide phenomenon, but one whose relationship with the texts from which it takes its inspiration remains underexplored.

Dickens After Dickens

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ISBN: 9781912482214 Year: Pages: 260 DOI: 10.22599/DickensAfterDickens Language: English
Publisher: White Rose University Press
Subject: Languages and Literatures --- Arts in general --- Social Sciences
Added to DOAB on : 2020-07-21 23:58:12
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"[W]e have a long way to travel before we get back to what Dickens meant… G.K. Chesterton, Charles Dickens The twentieth and twenty-first centuries have continued the quest, so aptly described by G. K. Chesterton in 1906, to ‘find’ Charles Dickens and recapture the characteristically Dickensian. From research attempting to classify and categorise the nature of his popularity to a century of film adaptations, Dickens’s legacy encompasses an array of conventional and innovative forms. Dickens After Dickens includes chapters from rising and leading scholars in the field, offering creative and varied discussion of the continued and evolving influence of Dickens and the nature of his legacy across the 19th, 20th and 21st centuries. Its chapters show the surprising resonances that Dickens has had and continues to have, arguing that the author’s impact can be seen in mainstream cultural phenomena such as HBO’s TV series The Wire and Donna Tartt’s novel The Goldfinch, as well as in diverse areas such as Norwegian literature, video games and neo-Victorian fiction. It discusses Dickens as a biographical figure, an intertextual moment, and a medium through which to explore contemporary concerns around gender and representation. The new research represented in this book brings together a range of methodologies, approaches and sources, offering an accessible and engaging re-evaluation that will be of interest to scholars of Dickens, Victorian fiction, adaptation, and cultural history, and to teachers, students, and general readers interested in the ways in which we continue to read and be influenced by the author’s work. This collection is edited by Dr Emily Bell (Loughborough University) with a Foreword by Professor Juliet John (Royal Holloway, University of London), author of Dickens and Mass Culture (OUP). Dr Bell is a board member for the Oxford Dickens series and an editor for the Dickens Letters Project. She also acted as the first Communications Committee Chair of the international Dickens Society, and has published on Dickens, life writing and commemoration. "

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