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Risikomanagement rohstoffexportierender Entwicklungslaender

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Book Series: Allokation im marktwirtschaftlichen System ISBN: 9783631316474 Year: Pages: 168 DOI: 10.3726/b14103 Language: German
Publisher: Peter Lang International Academic Publishing Group
Subject: Environmental Sciences --- Economics
Added to DOAB on : 2019-01-15 13:32:16
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Internationale Rohstoffabkommen sind bisher daran gescheitert, schwankende Erlöse langfristig zu stabilisieren. Da die Ursachen dieser Erlösschwankungen nicht beseitigt werden können, steht das Risikomanagement im Mittelpunkt. Mit Hilfe der Portfoliotheorie werden die Bedingungen des Risikotransfers durch Terminhandel analysiert und staatlicher Risikoübernahme durch Marktausgleislager gegenübergestellt. Es wird gezeigt, wann ein Risikotransfer sinnvoll ist und welche Strategie situativ am besten greift. Beide Instrumente lassen sich erfolgreich kombinieren, wobei eine Marktintervention, entgegen bestehender Argumentation, die Funktionsfähigkeit eines Terminmarktes verbessern kann. Zudem wird die Marktmacht internationaler Rohstoffkartelle behandelt, ihre Beeinflussung der Risikoprämie analysiert und die Mechanismen von Terminmarktmanipulationen untersucht.

Wagner, une question européenne

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ISBN: 9782753503021 9782753547476 Year: Language: French
Publisher: Presses universitaires de Rennes
Added to DOAB on : 2017-03-22 17:19:00
License: OpenEdition licence for Books

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Dans une formule provocante, Nietzsche déclare que « Wagner résume à lui seul la modernité ». Cet ouvrage, complémentaire de l’étude L’Art total, grandeur et misère d’une utopie (également publié aux Presses universitaires de Rennes), part de la formulation d’un double défi posé par Wagner à la littérature : un défi représenté par Stéphane Mallarmé tout d’abord, selon lequel la littérature devrait « reprendre à la musique un bien qui lui aurait été dérobé » ; un défi associé à Thomas Mann ens...

The Moral Mappings of South and North

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ISBN: 9781474423243 9781474423267 9781474423274 Year: Language: English
Publisher: Edinburgh University Press Grant: Knowledge Unlatched - 103883
Added to DOAB on : 2020-03-24 11:21:02
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What is the 'Global South' and where is it?The term 'Global South' marks a new attempt at providing order and meaning in the current global political constellation, replacing the term 'Third World'. But the term 'Global South' is fraught with many ambiguities. This book explores the possible meanings of this new distinction and assesses the advantages and disadvantages of adopting it for understanding the contemporary world. It casts a wide exploratory net, looking at how the way that we interpret the world has changed over time.

L’Esthétique musicale classique et romantique : De Kant à Wagner

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ISBN: 9782728828937 DOI: 10.4000/books.editionsulm.1943 Language: French
Publisher: Éditions Rue d’Ulm
Subject: Arts in general
Added to DOAB on : 2020-09-09 12:19:29
License: OpenEdition Licence for Books

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L’Esthétique musicale classique et romantique (1988), l’ultime ouvrage de Carl Dahlhaus, est une présentation de la réflexion musicale entre l’« époque-seuil » (Kosellek) située autour de 1770 et les décennies tardives du XIXe siècle, qui marquent le début de la modernité. Même s’il traite essentiellement de l’Allemagne, cet ouvrage est universel, dans la mesure où l’esthétique musicale allemande, en particulier durant la décennie décisive ouverte par la Critique de la faculté de juger de Kant (1790) et close par les Fantaisies sur l’art de Ludwig Tieck (1799), a été à la pointe de l’évolution européenne. Le romantisme fut un phénomène d’esthétique musicale avant de devenir un phénomène musical ; il s’affirma comme mode d’écoute avant de pénétrer les styles et les formes de la composition. Parmi les faits les plus curieux de l’époque sur laquelle le livre est centré, figure la simultanéité des esthétiques musicales classique et romantique. Néanmoins, l’esthétique musicale classique demeurait vers 1800 rudimentaire, parce qu’il n’y avait pas de liaison efficace entre Vienne, le lieu du classicisme musical, et le foyer essentiel de développement de la réflexion sur la musique, le centre et le nord de l’Allemagne. À certains égards, le grand critique musical autrichien Eduard Hanslick (†1904), qui a été injustement traité de formaliste, est l’esthéticien qui a réussi à donner une formulation légitime de l’esprit de la musique classique. C’est d’elle que purent partir plus tard, bien que sans le dire, August Halm et Heinrich Schenker.

Wagner – Weimar – Eisenach

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Book Series: Musik und Klangkultur ISBN: 9783839448656 Year: Pages: 220 DOI: 10.14361/9783839448656 Language: German
Publisher: transcript Verlag
Subject: Music
Added to DOAB on : 2020-01-22 11:21:04
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Significantly, the ’Big Bang’ in reception history of Richard Wagner’s work took place in a place that was torn between the province and the residence, tradition and progress, idea and realization: in the Grand Duchy of Saxony-Weimar-Eisenach. Here Franz Liszt's future-oriented work and the legacy of the Weimar Classic combined under the reign of an ambitious Weimar court to a not unproblematic synthesis, the consequences of which did not leave Wagner unaffected. The contributions of the volume examine these interactions between culture and politics.

Eduard Hanslick

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ISBN: 9783205787365 Year: Pages: 610 DOI: 10.26530/oapen_437212 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - D 4272
Subject: Music
Added to DOAB on : 2013-03-27 11:49:46
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The present seventh volume of the new historical-critical complete edition of Eduard Hanslick's works contains texts of the years 1864 to 1865, which are for the most part contributions from the Vienna "Presse" and the "Neue Freie Presse", which Hanslick changed to when it was founded in 1864. In terms of content the texts offer a wide range. Apart from topical reviews there are basic essays on musical aesthetics, thoughts on the Italian opera in Vienna, historico-cultural accounts as well as basic reflections about the concert life in Vienna at that time. In particular Hanslick's research on the history of music in Vienna, which leads to "Geschichte des Concertwesens in Wien" published by Wilhelm Braumüller in 1869, shows in various single essays and a huge coherent series in "Oesterreichische Revue". Some articles were published shortly after in national music journals such as the "Niederrheinische Musik-Zeitung" or the Berlin music journal "Echo". Later Hanslick revised some of them for his well-known anthologies ("Die moderne Oper", "Aus dem Concertsaal. Geschichte des Concertwesens in Wien, II"). As before these texts were provided with lists of readings, which are printed subsequent to the respective article. The principles of publication did not change. Minor variations are: different spelling, change from spaced writing to normal distance of characters or vice versa, slight modifications of the wording, updating or additions. Major changes mainly consist in leaving out large parts of the text or rearranging text passages from different sources regarding particular subjects. The basic change in Hanslick's occupation as a critic that is his stronger attention to reviewing the performance, - as can be seen from the 1860s in particular - cannot be substantiated so well by his own editions, because he often left out parts related to the concert. From that point of view this edition not only provides a better overview of the Vienna concert life in these years than Hanslick's own edition but it also notes down in a much more precise way his changed approach to writing. Most of the texts, however, are completely unknown today. The essay in the comment part deals with Hanslick's change to the "Neue Freie Presse" and the importance of the latter for the circle of its authors. As before the notes characterize every single text briefly and analyse them according to their aesthetic relevance. The volume ends with a scientific apparatus (list of emended printing errors, list of abbreviations, bibliography and index of names).

Eduard Hanslick - Sämtliche Schriften. Historisch-kritische Ausgabe

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ISBN: 9783205779902 Year: Pages: 536 DOI: 10.26530/oapen_574813 Language: German
Publisher: Böhlau Grant: Austrian Science Fund - D 3985
Subject: Music
Added to DOAB on : 2015-09-08 11:01:18
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The present sixth volume of the new historic-critical complete edition of Eduard Hanslick´s works contains texts of the years 1862 to 1863, which are for the most part contributions from the Vienna "Presse". Some articles were published shortly after in national music journals such as the "Niederrheinische Musik-Zeitung" or the Berlin music journal "Echo". Hanslick revised som of them later for his well-known anthologies ("Die moderne Oper", aus dem Konzertsaal. Geschichte des Konzertwesens in Wien, II2). As before these texts were provided with lists of variant readings, which are printed subsequent to the respective article. The principles of publication were not changed. Minor variations are: different spelling, change from spaced writing to normal distance of characters or vice versa, smaller modification of the wording, updating or additions. Major changes mainly consist in leaving out large parts of the text or rearranging text passages from different sources to particular subjects. The fundamental change in Hanslick´s occupation as a critic as can be seen exactly from the 1860s, that is his stronger attention to reviewing the performance cannot be substantiated by his own editions so well because he often left out parts related to the concert. From that point of view this edition provides not only a better survey of the Vienna concert life in these years than Hanslick´s own edition but it also notes down in a much more precise way his changed approach to writing. Most of the texts, however, are completely unknown today. The main essay in the comment part deals with the music-aesthetic consequences of the phenomenon of boredom, the typical syndrome of the 19th century, which Hanslick´s reviews shed some light on. It becomes clear that there are more criteria in Hanslick that are important for an assessment of a work than those laid down in "Vom Musikalisch-Schönen". An important position in Hanslick´s life as a music critik take his trips to music festivals or world expositions. His travel diaries are still very informative and shown an open-minded cosmopolitan. Hanslick´s report on the bustle of the 1862 word exposition in London from an initially neutral attitude of an observer seems in a certain way to turn into a surrealistic inferno of the arising modern age and confirms unconsciously what Walter Benjamin realized first and formulated in his "Passagenwerk". This matter is dealt with a particular length in the notes, which as before briefly characterize, annotate or analyse for its aesthetic relevance every single text. Added to the annotations is an excerpt from a letter by August Wilhelm Ambros, which illustrates some aspects from Hanslick´s aesthetic of boredom from a different point of view.

Ceramic Conductors

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ISBN: 9783038979562 9783038979579 Year: Pages: 184 DOI: 10.3390/books978-3-03897-957-9 Language: English
Publisher: MDPI - Multidisciplinary Digital Publishing Institute
Subject: Science (General) --- Physics (General)
Added to DOAB on : 2019-06-26 08:44:06
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This Special Issue of Crystals contains papers focusing on various properties of conducting ceramics. Multiple aspects of both the research and application of this group of materials have been addressed. Conducting ceramics are the wide group of mostly oxide materials which play crucial roles in various technical applications, especially in the context of the harvesting and storage of energy. Without ion-conducting oxides, such as yttria-stabilized zirconia, doped ceria devices such as solid oxide fuel cells would not exist, not to mention the wide group of other ion conductors which can be applied in batteries or even electrolyzers, besides fuel cells. The works published in this Special Issue tackle experimental results as well as general theoretical trends in the field of ceramic conductors, or electroceramics, as it is often referred to.

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