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The Worlds of Langston Hughes

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ISBN: 9780801451157 9780801478260 9780801466250 9780801466243 Year: Language: English
Publisher: Cornell University Press Grant: Knowledge Unlatched - 100461
Subject: Languages and Literatures
Added to DOAB on : 2017-04-16 00:08:19
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Shortlisted for the Phi Beta Kappa Society’s Christian Gauss Award. The poet Langston Hughes was a tireless world traveler and a prolific writer, translator, and editor. Translations of his own writings traveled even more widely than he did, earning him adulation throughout Europe, Asia, and especially the Americas. This study contends that, for writers who are part of the African diaspora, translation is more than just a literary practice: it is a fact of life and a way of thinking. “Kutzinski has given us one of the very best analyses and evaluations of Hughes's seminal texts. We observe him at work translating, but we also see his works being translated. Kutzinski, a preeminent polylingual comparativist who knows the literatures of the African diaspora as well as anyone, brings a keen understanding of both race and ethnicity to her overarching discussion. She has written an exemplary work, which will be widely influential."—John Lowe, Louisiana State University

Beside You in Time

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ISBN: 9781478090045 9781478006350 9781478005049 9781478005674 Year: Pages: 240 DOI: 10.1215/9781478090045 Language: English
Publisher: Duke University Press
Subject: Sociology --- Gender Studies --- Languages and Literatures --- Linguistics
Added to DOAB on : 2019-11-08 11:21:03
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In Beside You in Time Elizabeth Freeman expands biopolitical and queer theory by outlining a temporal view of the long nineteenth century. Drawing on Foucauldian notions of discipline as a regime that yoked the human body to time, Freeman shows how time became a social and sensory means by which people assembled into groups in ways that resisted disciplinary forces. She tracks temporalized bodies across many entangled regimes—religion, secularity, race, historiography, health, and sexuality—and examines how those bodies act in relation to those regimes. In analyses of the use of rhythmic dance by the Shakers; African American slave narratives; literature by Mark Twain, Pauline Hopkins, Herman Melville, and others; and how Catholic sacraments conjoined people across historical boundaries, Freeman makes the case for the body as an instrument of what she calls queer hypersociality. As a mode of being in which bodies are connected to others and their histories across and throughout time, queer hypersociality, Freeman contends, provides the means for subjugated bodies to escape disciplinary regimes of time and to create new social worlds.

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