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Communication and Discourse Theory

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ISBN: 9781789380569 9781789380552 Year: Pages: 318 Language: English
Publisher: Intellect
Subject: Political Science --- Social Sciences
Added to DOAB on : 2019-04-12 11:21:03

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Abstract

The introduction to the edited volume Communication and Discourse Theory aims to reflect on the interaction between discourse theory and the study of media and communication, as well as the Brussels Discourse Theory Group’s contribution to it. The chapter starts with a summary of the main tenets of Laclau and Mouffe’s discourse theory, and touches upon its methodological/analytical translation in discourse-theoretical analysis (DTA). The next main part of the chapter discusses how discourse theory has been put to use for the analysis of communication and media, distinguishing four thematic areas: (1) communication, rhetoric, and media strategies; (2) discourses in media organizations; (3) media identities, practices, and institutions; and (4) media and agonistic democracy. In the next part, two areas that are currently being developed in the group, and have thus far remained under-developed, are singled out theoretically as well as empirically, from a discourse-theoretical perspective. This includes the relation between the discursive and the material, and the relation between media, communication, and audiences. Finally, the chapter provides a short overview of the other chapters in this book.

Japanese Media Cultures in Japan and Abroad: Transnational Consumption of Manga, Anime, and Media-Mixes

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ISBN: 9783039210084 / 9783039210091 Year: Pages: 162 DOI: 10.3390/books978-3-03921-009-1 Language: eng
Publisher: MDPI - Multidisciplinary Digital Publishing Institute
Subject: Arts in general
Added to DOAB on : 2019-06-26 08:44:07
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In the last few decades, Japanese popular culture productions have been consolidated as one of the most influential and profitable global industries. As a creative industry, Japanese Media-Mixes generate multimillion-dollar revenues, being a product of international synergies and the natural appeal of the characters and stories. The transnationalization of investment capital, diversification of themes and (sub)genres, underlying threat in the proliferation of illegal audiences, development of internet streaming technologies, and other new transformations in media-mix-based production models make the study of these products even more relevant today. In this way, manga (Japanese comics), anime (Japanese animation), and video games are not necessarily products designed for the national market. More than ever, it is necessary to reconcile national and transnational positions for the study of this cultural production.The present volume includes contributions aligned to the analysis of Japanese popular culture flow from many perspectives (cultural studies, film, comic studies, sociology, etc.), although we have emphasized the relationships between manga, anime, and international audiences. The selected works include the following topics:• Studies on audiences—national and transnational case studies;• Fandom production and Otaku culture;• Cross-media and transmedia perspectives;• Theoretical perspectives on manga, anime, and media-mixes.

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