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Cinéma, Numérique, Survie : L’art du temps

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ISBN: 9791036201073 DOI: 10.4000/books.enseditions.11061 Language: French
Publisher: ENS Éditions
Subject: Philosophy
Added to DOAB on : 2020-09-09 12:19:29
License: OpenEdition Licence for Books

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Abstract

Qu’est-ce qui dresse le cinéma contre les accélérations du tout numérique ? Les aurores après la tempête ne se voient plus que sur les écrans des salles de cinéma. Numérisés, les capitaux et les catastrophes détruisent le monde des matins tranquilles. La guerre est dans le temps. C’est à la chaîne que le numérique fabrique du virtuel, du mirage, de la monnaie de singe. En ce monde-hologramme, il n’est plus ni corps ni chair, les mains ne caressent plus rien, les blessures elles-mêmes sont factices. Cette nuée d’images nous dérobe le réel et peu à peu impose le désert des hommes et des choses. Contre la violence des exils, la salle de projection n’est-elle pas la dernière demeure de l’humain ? Face à la démultiplication des écrans, l’hypervisibilité, la transparence, comment le cinéma peut-il encore préserver sa part d’ombre et rester une arme critique ? Jusqu’où la révolution numérique n’est-elle pas en train d’affecter l’expérience esthétique et morale du cinéma, et au-delà, notre civilisation ?

Keywords

cinema --- digital revolution --- politics --- time

Il fenomeno open data : Indicazioni e norme per un mondo di dati aperti

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ISBN: 9788867053650 DOI: 10.4000/books.ledizioni.393 Language: Italian
Publisher: Ledizioni
Subject: Languages and Literatures
Added to DOAB on : 2019-12-06 13:15:38
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Nell’affascinante mondo della cultura open, dopo software open source, standard aperti, open access e open content, il fenomeno dei dati aperti rappresenta l’ultima frontiera e forse anche quella attualmente più strategica. Alla fine degli anni 2000 si è infatti aperto il dibattito sull’importanza della disponibilità e libera diffusione di dati “crudi” (anche e soprattutto da parte del settore pubblico) così da poter aumentare il potenziale informativo e comunicativo della conoscenza condivisa figlia della rivoluzione digitale. Ci si è presto accorti che la possibilità di raccogliere, gestire e riutilizzare quantità di dati sempre maggiori e sempre più dense di correlazioni porta la necessità di alcune riflessioni di carattere sia giuridico che tecnologico. In questo libro, in ottica divulgativa, si cerca di presentare le principali questioni emergenti, tracciando un quadro normativo completo e fornendo alcune essenziali linee guida.

Techné/Technology: Researching Cinema and Media Technologies - their Development, Use, and Impact

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Book Series: The Key Debates: Mutations and Appropriations in European Film Studies ISBN: 9789089645715 Year: DOI: 10.26530/OAPEN_607770 Language: English
Publisher: Amsterdam University Press Grant: FP7 Ideas: European Research Council - 283464
Subject: Performing Arts
Added to DOAB on : 2020-05-04 09:55:39
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This fourth title in the series The Key Debates sets out where the term techne comes from, how it unleashed a revolution in thought and how the concept in the midst of the current digital revolution, once again, is influencing the study of film. In addition, the authors - among them André Gaudreault, Geoffrey Wintrop-Young, Martin Lefevbre, Dominique Chateau, Nanna Verhoeff, Andreas Fickers and Ian Christie - investigate how technologies have affected the major debates about film, how they affected film theory and some of its key concepts. This is one of the rare books to assess the comprehensive history of the philosophies of technology and their impact on film and media theory in greater detail.

The Digital Condition

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ISBN: 9780823234226 Year: DOI: 10.26530/oapen_626991 Language: English
Publisher: Fordham University Press Grant: Knowledge Unlatched - 100597
Subject: Media and communication
Added to DOAB on : 2017-04-07 11:01:46
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The acceleration in science, technology, communication, and production that began in the second half of the twentieth century— developments which make up the concept of the “digital”—has brought us to what might be the most contradictory moment in human history. The digital revolution has made it possible not only to imagine but to actually realize a world in which social inequality and poverty are vanquished. But instead these developments have led to an unprecedented level of accumulation of private profits. Rather than the end of social inequality we are witness to its global expansion. In The Digital Condition, Rob Wilkie advances a groundbreaking analysis of digital culture which argues that the digital geist—which has its genealogy in such concepts as the “body without organs,” “spectrality,” and “différance”—has obscured the implications of class difference with the phantom of a digital divide.

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