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Nazi Soundscapes

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ISBN: 9789089644268 Year: Pages: 272 DOI: 10.26530/OAPEN_424532 Language: English
Publisher: Amsterdam University Press
Subject: Media and communication --- Political Science --- Social Sciences
Added to DOAB on : 2012-08-25 18:56:22
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Following the formation of the German National Socialist Party in the 1920s, various forms of sound (popular music, voice, noise and silence) and media technology (radio and loudspeaker systems) were configured as useful to the party's political programme. Focusing on the urban "soundscape" of Düsseldorf, the author makes a persuasive case for investigating such sound events and technological devices in their specific contexts of production and reception. Nazi Soundscapes identifies strategies for controlling space and reworking identity patterns, but also the ongoing difficulties in manipulating mediated sounds and the spaces of listening reception, whether in the home, workplace, the cinema, public rituals or with wartime siren systems. The study revises visualist notions of social control, and reveals the disciplinary functions of listening (as eavesdropping) as well as the sonic dimensions to exclusion and violence during Nazism. An essential title for everyone interested in the links between German political culture, audiovisual media and urban history, Nazi Soundscapes provides a fascinating analysis of the cultural significance of sound between the 1920s and early 1940s. Click "http://soundclips.humanities.uva.nl/">here for the sound clips discussed in the book.

Nation, Ethnicity and Race on Russian Television

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Book Series: BASEES/Routledge Series on Russian and East European Studies ISBN: 9781138853287 9781315722863 Year: Pages: 300 DOI: 10.1080/09668136.2016.1152053 Language: English
Publisher: Taylor & Francis
Subject: Media and communication
Added to DOAB on : 2019-02-28 11:21:05
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Russia, one of the most ethno-culturally diverse countries in the world, provides a rich case study on how globalization and associated international trends are disrupting and causing the radical rethinking of approaches to inter-ethnic cohesion. The book highlights the importance of television broadcasting in shaping national discourse and the place of ethno-cultural diversity within it. It argues that television’s role here has been reinforced, rather than diminished, by the rise of new media technologies. Through an analysis of a wide range of news and other television programmes, the book shows how the covert meanings of discourse on a particular issue can diverge from the overt significance attributed to it, just as the impact of that discourse may not conform with the original aims of the broadcasters. The book discusses the tension between the imperative to maintain security through centralized government and overall national cohesion that Russia shares with other European states, and the need to remain sensitive to, and to accommodate, the needs and perspectives of ethnic minorities and labour migrants. It compares the increasingly isolationist popular ethno-nationalism in Russia, which harks back to ‘old-fashioned’ values, with the similar rise of the Tea Party in the United States and the UK Independence Party in Britain. Throughout, this extremely rich, well-argued book complicates and challenges received wisdom on Russia’s recent descent into authoritarianism. It points to a regime struggling to negotiate the dilemmas it faces, given its Soviet legacy of ethnic particularism, weak civil society, large native Muslim population and overbearing, yet far from entirely effective, state control of the media.

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