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Maria in Hymnus und Sequenz. Interdisziplinäre mediävistische Perspektiven

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Book Series: Liturgie und Volkssprache. Studien zur Rezeption und Produktion geistlicher Lieder in Mittelalter und Früher Neuzeit ISSN: 2367-0320 ISBN: 9783110475371 Year: Volume: 1 Pages: xi, 468 DOI: 10.1515/9783110475371 Language: German
Publisher: De Gruyter
Subject: History of arts --- Religion --- Languages and Literatures
Added to DOAB on : 2017-08-28 15:25:40
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Marian hymns and sequences occupy a central place in the history of sacred song. Alongside Latin poetry, starting from the early Middle Ages, there were also vernacular translations, which adapted, modified, and transformed the image of Mary from their original models. The conference volume assembles a broad range of interdisciplinary papers that examine these processes of reformulation and appropriation.

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Poetics --- liturgy --- piety

Philosophy for Militants

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ISBN: 9780998531823 Year: Pages: 80 DOI: 10.21983/P3.0168.1.00 Language: English
Publisher: punctum books
Subject: Philosophy
Added to DOAB on : 2019-06-12 09:24:34
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“No longer imminent, the End is immanent.” “Ends are ends,” Frank Kermode goes on to clarify, “only when they are not negative but frankly transfigure the events in which they were immanent.” From its imminence to its immanence, not “negative,” “no longer,” but transformative, how is “the End” in turn “transfigured”? In what may ending be said then to consist? To “the end times” of apocalypse and eschatology Giorgio Agamben, following Gianni Carchia, opposes messianism and “messianic time”—to the end of time, in a formula, the time of the end. To the writings of those for whom to philosophize is to learn how to die—from Plato to Montaigne and beyond—one may oppose, in like manner, the writings of Spinoza, who “thinks of death least of all things”—“for nature is Messianic by reason of its eternal and total passing away,” as Benjamin writes—and so in whose pages “wisdom,” transfigured, “is a meditation on life.”

Theory Is Like a Surging Sea

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ISBN: 9780692283950 Year: Pages: 104 DOI: 10.21983/P3.0108.1.00 Language: English
Publisher: punctum books
Subject: Philosophy
Added to DOAB on : 2019-06-12 09:24:38
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In a 1917 letter to Gershom Scholem, Walter Benjamin writes, “Theory is like a surging sea.” This small book takes more than its title from that line—it takes that line as a point of departure in Erich Auerbach’s sense, an Ansatzpunkt, as a compositional principle so that what follows can be read in its entirety as a gloss on the remainder of Benjamin’s sentence: “Theory is like a surging sea, but the only thing that matters to the wave […] is to surrender itself to its motion in such a way that it crests and breaks.” That motion, in the pages to follow, takes up in its sweep two threads: it folds an episodic meditation on the negative and the problematic into a series of singular interrogations exemplary of the positive being of the problematic, the objective being of problems and questions, in a movement of implication and explication between poetry and philosophy in the tradition of what’s come to be known as theory. Theory is like a surging sea because it’s as part of a revolutionary tradition that it crests and breaks.

Reiner Schürmann and Poetics of Politics

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ISBN: 9781947447738 9781947447745 Year: Pages: 176 DOI: 10.21983/P3.0209.1.00 Language: English
Publisher: punctum books
Subject: Philosophy
Added to DOAB on : 2019-03-26 11:21:04
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Reiner Schürmann’s thinking is, as he himself would say, “riveted to a monstrous site.” It remains focused on and situated between natality and mortality, the ultimate traits that condition human life. This book traces the contours of Schürmann’s thinking in his magnum opus Broken Hegemonies in order to uncover the possibility of a politics that resists the hegemonic tendency to posit principles that set the world and our relationships with one another into violent order. The book follows in the footsteps of Oedipus who, in abject recognition of his finitude, stumbles upon the possibility of another politics with the help of his daughters at Colonus. The path toward this other, collaboratively created and thus poetic politics begins with an encounter with Aristotle, a thinker whom Schürmann most frequently read as the founder of hegemonic metaphysics, but whose thinking reveals itself as alive to beginnings in ways that open new possibility for human community. This return to beginnings leads, in turn, to Plotinus, who Schürmann reads as marking the destitution of the ancient hegemony of the Parmenidean principle of the One. By bringing Schürmann’s innovative and compelling reading of René Char’s poem, The Shark and the Gull, into dialogue with Plotinus we come to encounter the power of symbols to transform reality and open us to new constellations of possible community. In Plotinus, where we expected to encounter an end, we experience a new way of thinking natality in terms of what comes to language in Char as the nuptial. Having thus been awakened to the power of symbols, we are prepared to experience how in Kant being itself comes to expression as plurivocal in a way that reveals just how pathologically delusional it is to attempt to deploy univocal principles in a plurivocal world. This opens us to what Schürmann calls the “singularization to come,” a formulation that gestures to a mode of comportment at home in the ravaged site between natality and mortality. This then returns us to Oedipus at Colonus; but not to him alone. Rather, it points to the relationship that emerges for a time between Antigone, Ismene, and Oedipus, as they navigate a way between their exile from Thebes and Oedipus’s final resting place near Athens. Here, having been awakened to the power of a poetic politics, we attend to three symbolic moments of touching between Oedipus and his daughters through which we might discern something of the new possibilities a poetic politics opens for us if we settle into the ravaged site that conditions our existence, together.

Treatise on the Marvelous for Prestigious Museums

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ISBN: 9781947447592 9781947447608 Year: Pages: 110 DOI: 10.21983/P3.0203.1.00 Language: English
Publisher: punctum books
Subject: Languages and Literatures
Added to DOAB on : 2019-06-12 09:24:31
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Wrapped in modernist architect Marcel Breuer’s 1971 addition to the Cleveland Museum of Art, A Treatise on the Marvelous for Prestigious Museums considers the global ecological catastrophe by way of a speculative address to the art museums of the future, revisiting mid-century modes of site-specificity and speculative collage as utopian practices for the present. Written over the course of a decade, the book insists on the continuing importance of the New American Poetry and Language poetics, and includes work in the tradition of the ongoing serial poem and documentary poetics. This full color edition reproduces the maps, diagrams, and facsimiles that adorn the treatise.

Genre und Gemeinsinn. Hollywood zwischen Krieg und Demokratie

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Book Series: Cinepoetics. Poetologien audiovisueller Bilder ISSN: 2509-436X ISBN: 9783110466966 9783110467147 Year: Volume: 1 Pages: xii, 420 DOI: 10.1515/9783110466966 Language: German
Publisher: De Gruyter
Subject: Political Science --- Performing Arts
Added to DOAB on : 2017-01-25 14:32:03
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Based on the premise that a society’s sense of commonality depends upon media practices of political communitarization, this study examines how Hollywood was deployed during the Second World War. It shows that Hollywood responded to the crisis of democracy in the war by creating a new genre. Using an affective theory of genre cinema, it offers a new characterization of the relationship between politics and poetics in forming commonality.

Filmische Poetiken der Schuld. Die audiovisuelle Anklage der Sinne als Modalität des Gemeinschaftsempfindens

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Book Series: Cinepoetics. Poetologien audiovisueller Bilder ISSN: 2509-436X ISBN: 9783110531732 9783110531282 Year: Volume: 4 Pages: x, 364 DOI: 10.1515/9783110531732 Language: German
Publisher: De Gruyter
Subject: Performing Arts
Added to DOAB on : 2017-08-28 15:56:53
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How do cinematic images generate and transform a community’s affectively grounded sense of values? Using the feeling of guilt as an example, this study shows how modulation of moral sentiments can be described as the calculus of audiovisual staging techniques. This calculus is analyzed as a cultural practice that helps establish the conditions for political community and shapes its historicity.

Noise Thinks the Anthropocene: An Experiment in Noise Poetics

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ISBN: 9781950192052 9781950192069 Year: Pages: 162 DOI: 10.21983/P3.0244.1.00 Language: English
Publisher: punctum books
Subject: Music
Added to DOAB on : 2019-03-26 11:21:03
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In an increasingly technologized and connected world, it seems as if noise must be increasing. Noise, however, is a complicated term with a complicated history. Noise can be traced through structures of power, theories of knowledge, communication, and scientific practice, as well as through questions of art, sound, and music. Thus, rather than assume that it must be increasing, this work has focused on better understanding the various ways that noise is defined, what that noise can do, and how we can use noise as a strategically political tactic. Noise Thinks the Anthropocene is a textual experiment in noise poetics that uses the growing body of research into noise as source material. It is an experiment in that it results from indeterminate means, alternative grammar, and experimental thinking. The outcome was not predetermined. It uses noise to explain, elucidate, and evoke (akin to other poetic forms) within the textual milieu in a manner that seeks to be less determinate and more improvisational than conventional writing. Noise Thinks the Anthropocene argues that noise poetics is a necessary form for addressing political inequality, coexistence with the (nonhuman) other, the ecological crisis, and sustainability because it approaches these issues as a system of interconnected fragments and excesses and thus has the potential to reach or envision solutions in novel ways.

The edge of one many circles: Homenagem a Irene Ramalho Santos

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Book Series: Investigação ISBN: 9789892613079 Year: Pages: 602 DOI: https://doi.org/10.14195/978-989-26-1308-6 Language: Portuguese
Publisher: Coimbra University Press
Subject: Sociology
Added to DOAB on : 2019-04-23 16:21:06
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The volume gathers articles by a majority of well-known specialists in their respective areas - Anglo-American studies; comparative; poetics; feminist studies; Pessoa studies -, besides a collection of poems by poets of several nationalities, all of them having been present in the International Meeetings of Poets, organized by the Anglo-American studies group of the Faculty of Letters of UC. It also encompasses a section with testimonials in tribute to Prof. Irene Ramalho Santos.

Trouble Songs: A Musicological Poetics

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ISBN: 9781947447448 9781947447455 Year: Pages: 204 DOI: 10.21983/P3.0197.1.00 Language: English
Publisher: punctum books
Subject: Music
Added to DOAB on : 2019-06-12 09:24:31
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Trouble Songs is a hybrid serial work that tracks the appearance of the word “trouble” in 20th- and 21st-century American music. It reads (and sings) songs and poems, with reference to cultural events ranging from the death of a pop singer to the growth of popular resistance movements. The trouble singer invokes the word “trouble” in place of actual trouble—the song is a spell that conjures trouble (from bad luck and disaffection to infidelity, impotence, destitution, and the specter of death) in a temporary form that can be dis-spelled, if only for the length of the song. Singer and song also open a critical space for making trouble, for stirring the heart and mind. This space is a disjunction in time (and a superimposition of events) where singer and listener collaborate on meaning (un/)making as they temporarily transform trouble.

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