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It is an interesting topic to discuss addiction and love in the context of reward. In this e-book, we begin with an animal study of comparison between drug and natural reward. Then, some papers aim to understand the reward system underlying behavioral addiction focusing on technology, for example Internet addiction and mobile phone dependence. The third part of this e-book addresses the topic of love. Considered as a whole, this e-book demonstrates that drug and behavioral addictions are frequently related with negative consequences, while romantic love is related with a positive consequence. That's why romantic love may be considered as a natural addiction. We think that the notion of romantic love as a positive addiction may offer a new view for future research in the field.It is an interesting topic to discuss addiction and love in the context of reward. In this e-book, we begin with an animal study of comparison between drug and natural reward. Then, some papers aim to understand the reward system underlying behavioral addiction focusing on technology, for example Internet addiction and mobile phone dependence. The third part of this e-book addresses the topic of love. Considered as a whole, this e-book demonstrates that drug and behavioral addictions are frequently related with negative consequences, while romantic love is related with a positive consequence. That's why romantic love may be considered as a natural addiction. We think that the notion of romantic love as a positive addiction may offer a new view for future research in the field.

Addiction --- drug --- romantic love --- reward system --- fMRI --- EEG

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The dissertation analyses dream images in romanticist art, with regards to inherent dreamanalogue strategies in consideration of contemporary dream theory and aesthetics, with a focus on the period between 1820 and 1840. The study does not provide a typological, iconographical or motif-historical collection of samples, but analyses different aspects of selected artworks which represent a wide range in terms of their contextual, formal and topographical heterogeneity, and overcomes the existing stereotypical classification in the context of romanticist art reflection. The study identifies that, beyond the contextual-iconographical dimension, the dream serves as an aesthetical category because it is reflected not only as a motif but also in relation to its dramaturgy. In the romantic awareness of the difficulty of an adequate representation of invisible images, the nonlinear, associative, ciphered, space- and time-simultaneous structure of the dream is adapted as a method, and is staged by varied and differentiated configurations. This is mirrored by comprehensive or formal concepts (genre, technique, media and interdisciplinary), as well as in fragmentary structures (sketches and drawings), in materiality (transparency and colour) or arabesque and combinatory production principles. The study contains three chapters: after a general introduction to the subject, the analysis of the current state of research and the demonstration of the methodology in the first chapter, the second chapter focuses on contemporary dream discourses (especially the theories of Gotthilf Heinrich Schubert and Carl Gustav Carus) and the constitutive role of the philosophy of Friedrich Wilhelm Joseph Schelling. By also involving the literary concepts of dreams the romantic awareness of the deficiency of the visible image compared to the invisible, which forces an avoidance of a mimetic art perception, becomes obvious. The third chapter forms the main body of the study. On the basis of selected dream images it analyses the different artistic strategies and conditions of reception. The first section of the third chapter focuses on artist dream imagery, namely the Musician’s Dream by Caspar David Friedrich, Raphael’s Dream by Franz and Johannes Riepenhausen and the Dream of Erwin von Steinbach by Moritz von Schwind. The analysis indicates that the dreaming artist serves as mise-en-abyme of the dream-analogue productive and reflexive process, and the artwork itself. The second section of chapter three makes landscape spaces accessible as imaginative concepts and projections of emotional states, according to current literature studies. Landscape spaces serve as patterns for reflection processes, which is explored on the basis of The Dreamer by Caspar David Friedrich. The third section of the third chapter focuses on a combinatory and arabesque concept as a dream-analogue and self-reflexive strategy – the collage-like compilation, association and transformation of heterogeneous elements which are analysed on the basis of the artworks Dream of Adam by Moritz von Schwind and The Evening by Clemens Brentano.

romantik --- ästhetik --- dream theory --- künste --- traumtheorie --- 19. jahrhundert --- 19th century --- romantic --- arts --- aesthetics

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The Anthology is intended to provide such a systematic and analitical compendium of original texts, so as to afford some insight in the poetic, stylistic, and conceptual norms which determined the nature and evolution of literature during the first half oft the 19th century.

1800 --- 1850 --- Anthology --- Esthetic --- Literature --- Literaturwissenschaft --- Neuhäuser --- Norms --- Original --- Poetic --- Romantic --- Russian --- Russland --- Slavische Sprachwissenschaft --- Texts

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This is the first full-length study of Shelley’s plays in performance. It offers a rich, meticulously researched history of Shelley’s role as a playwright and dramatist and a reassessment of his "closet dramas" as performable pieces of theatre.With chapters on each of Shelley’s dramatic works, the book provides a thorough discussion of the poet’s stagecraft, and analyses performances of his plays from the Georgian period to today. In addition, Mulhallen offers details of the productions Shelley saw in England and Italy, many not identified before, as well as a vivid account of the actors and personalities that constituted the theatrical scene of his time. Her research reveals Shelley as an extraordinarily talented playwright, whose fascination with contemporary theatrical theory and practice seriously challenges the notion that he was a reluctant dramatist.Prof. Stephen Behrendt (Nebraska) has described the book as "wonderfully convincing" and "something wholly new in Shelley studies", while Prof. Tim Webb (Bristol) describes Mulhallen as having a "more precisely developed sense of the theatrical possibilities of Shelley's work than almost anybody who has written about Shelley".

Theatre --- Romanticism --- literature --- Romantic poetry --- drama --- theatre history --- Romantic culture --- nineteenth century --- Mary Shelley --- Percy Bysshe Shelley --- Lord Byron --- Cenci --- Prometheus Unbound --- Georgian theatre --- acting --- actors --- Shelley's plays

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This is a thoroughly updated and revised edition of a popular classic of modern anthropology. Avoiding geographical bias, the authors provide summaries of ‘Enlightenment’, ‘Romantic’ and ‘Victorian’ anthropology, from the cultural theories of Morgan and Taylor to the often neglected contributions of German scholars. The ambiguous relationship between anthropology and national cultures is also considered, and the growth of distinctive national styles in anthropological research is highlighted. A History of Anthropology is an unparalleled account of theoretical developments in anthropology from the 1920s to the present, including functionalism, structuralism, hermeneutics, neo-Marxism and discourse analysis. Major anthropologists are provided with brief biographies and key debates are covered such as those concerning totemism, kinship and globalisation. This essential text on anthropology is highly engaging, authoritative and suitable for students at all levels.

Anthropology --- Anthropology --- History --- Enlightenment era --- Romantic era --- Victorian era --- theories of anthropology --- functionalism --- structuralism --- hermeneutics --- neo-Marxism