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Ein stilles Credo J.S. Bachs

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ISBN: 9783796529122 Year: Pages: 331 DOI: 10.24894/978-3-7965-2912-2 Language: German
Publisher: Schwabe Verlag
Subject: Arts in general
Added to DOAB on : 2019-11-29 11:21:03
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This book is a result of the author’s long engangement with the prelude and fugue in A major of Johann Sebastian Bach. This work’s origins lie deep in theology. The author tries to prove that in this piece of music, Bach expresses point by point the credo as we know it from Bach’s Mass in B minor.

Dommusikarchiv Salzburg (A-Sd). Thematischer Katalog der musikalischen Quellen, Reihe A

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ISBN: 9783990125090 Year: Pages: 985 Seiten Language: German
Publisher: Hollitzer Grant: Austrian Science Fund (FWF) - PUB 452
Added to DOAB on : 2019-01-15 13:34:16

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This is a catalogue of the musical sources of Salzburg Cathedral between ca. 1670 and 1841, that have survived in the holdings of the Dommusikarchiv at the Archiv der Erzdiözese Salzburg.

Annunciations: Sacred Music for the Twenty-First Century

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ISBN: 9781783747269/9781783747283 Year: Pages: 394 DOI: 10.11647/OBP.0172 Language: English
Publisher: Open Book Publishers
Subject: Music --- Religion
Added to DOAB on : 2019-05-08 14:10:28
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Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music.Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold.Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity.

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